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- en.wikipedia.org/wiki/Arnolfini_Portr...:
- @ 15: navigation, search The Arnolfini Portrait Artist Jan van Eyck Year 1434
- @ 135: and complex paintings in Western art history. Being both signed and
- @ 156: Ghent Altarpiece by the same artist and his brother Hubert, the
- @ 200: remarkable for its time, in part for the rendering of detail,
- @ 207: the rendering of detail, but particularly for the use of light
- @ 235: the people who inhabit it".[1] Artist David Hockney and physicist Charles
- @ 260: obscura to create at least part of the painting in what
- @ 400: This would make the painting partly a memorial portrait, showing one
- @ 452: was a friend of the artist.[4] [edit] Description Dagging The painting[5]
- @ 824: who surprised one of his artists in similar fashion. The rear
- @ 849: of the same objects, in particular the painted inscription on the
- @ 948: this date - another discreet departure from realism by Van Eyck.
- @ 1038: back wall (to the right, partly hidden by the bed). Another
- @ 1100: wearing red, is presumably the artist although, unlike Velázquez in Las
- @ 1269: 1934 Erwin Panofsky published an article entitled Jan van Eyck's 'Arnolfini'
- @ 1350: considerable debate on this point. Art historian Edwin Hall considers that
- @ 1364: a betrothal, not a marriage. Art historian Margaret D. Carroll argues
- @ 1385: and wife in her 1993 article In the Name of God
- @ 1477: contract portrait in his 1986 article “The reality of symbols: the
- @ 1554: these disguised symbols were normal parts of the marriage ritual, then
- @ 1570: sure whether the items were part of a “disguised symbolism” or
- @ 1823: so, would displace these theories. Art historian Maximiliaan Martens has suggested
- @ 1826: these theories. Art historian Maximiliaan Martens has suggested that the painting
- @ 2029: class women would. They are part of the Burgundian court life
- @ 2324: not believed to be so. Art historians point to numerous paintings
- @ 2698: passion in seventeenth century Dutch art.” [26] Likewise, the candle also
- @ 3008: figure could also represent Saint Martha the patroness of housewives as
- @ 3463: in the National Gallery of Art). He lived most of his
- @ 3848: coach loaded by King Joseph Bonaparte with easily portable artworks from
- @ 3852: Joseph Bonaparte with easily portable artworks from the Spanish royal collections
- @ 4044: Cambell, 1998, ISBN 185709171X ^ http://www.artchive.com/artchive/v/van_eyck/eyck_giovanni.jpg ^ Cambell 1998, op cit,
- @ 4144: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):288-289. ^ Harbison
- @ 4164: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):282. ^ Panofsky,
- @ 4179: in Early Flemish Painting.” Renaissance Art. Ed. Creighton Gilbert. New York :
- @ 4302: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):267. ^ Margaret
- @ 4357: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):265. ^ Carroll,
- @ 4431: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):268. ^ Harbison
- @ 4451: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):263. ^ Harbison
- @ 4471: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):261. ^ Harbison
- @ 4491: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):263. ^ as
- @ 4498: (Summer 1990):263. ^ as the art historian Craig Harbison has argued
- @ 4520: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):270. ^ Harbison
- @ 4540: Eyck’s Arnolfini Double Portrait.” Renaissance Quarterly 43.2 (Summer 1990):285. ^ Bedaux,
- @ 4611: Essay, proposing the painting is partly a memorial portrait Mystery of
- @ 4642: John Haber Press interview with art historian Craig Harbison [edit] Reproductions
- @ 4659: large detail of mirror and artist's signature Picture: Detail of the
- @ 4687: Eyck paintings Hidden categories: All articles with unsourced statements | Articles
- @ 4692: articles with unsourced statements | Articles with unsourced statements from January
- @ 4700: statements from January 2009 Views Article Discussion Edit this page History
- @ 4724: Featured content Current events Random article Search Interaction About Wikipedia
- wordburst.net/articles/show/215:
- @ 12: Password new user Folder Tags: art design architecture journalism theory war
- @ 78: streaming butler hey Tag Cloud Article hey Display Tag Context (no
- guardian.co.uk/zeitgeist:
- @ 160: Backpack Journalism - that of Participatory @ 923: social bookmarking sites
- @ 146: expression. Backpack journalism is a participatory medium @ 1235: close to
- @ 153: @ 1235: close to the heart of Backpack Journalism - that
- @ 23: independent cnn radioshift Tag Cloud Article article for multimedia class Display
- @ 24: cnn radioshift Tag Cloud Article article for multimedia class Display Tag
- @ 37: 3106: to Stay" http://www.ojr.org/ojr/workplace/1017771575.php Stone Martha "BackPack Journalism is a Mucsh
- @ 283: @ 3107: Stay" http://www.ojr.org/ojr/workplace/1017771575.php Stone Martha "BackPack Journalism is a Mucsh
- @ 362: 1946: traditional newsrooms display towards participatory journalism originates. He states of
- @ 431: expression. Backpack journalism is a participatory medium in @ 1511: media
- @ 469: the craft of journalism is part of one's everyday @ 1236:
- @ 477: everyday @ 1236: to the heart of Backpack Journalism - that
- @ 484: Backpack Journalism - that of Participatory Mediums. @ 1196: future the
- @ 794: that traditional newsrooms display towards participatory journalism originates. @ 1957: zero's
- @ 814: kind @ 1724: way of "smart mobbing" a news story by
- @ 1187: is a Mush of Mediocrity," Martha Stone's stance is one of
- @ 1253: of all trades" ( www.ojr.org/ojr/workplace/1017771634.php Martha Stone). Additionally, Stone draws a
- @ 1472: money is irresponsible and short-sighted. Martha Stone implies in her article
- @ 1477: Martha Stone implies in her article that there are many forces
- @ 2232: the craft of journalism is part of one's everyday routine. Winer
- @ 2250: another concept close to the heart of Backpack Journalism - that
- @ 2257: Backpack Journalism - that of Participatory Mediums. A Participatory Medium is
- @ 2260: that of Participatory Mediums. A Participatory Medium is one that includes
- @ 2276: process. The difference between a participatory medium and a passive medium
- @ 2301: interactive medium of blogging. A participatory medium is an interactive medium.
- @ 2339: a perfect example of a participatory medium. Participatory mediums envision the
- @ 2341: example of a participatory medium. Participatory mediums envision the end-user as
- @ 2415: created the concept of blogging partially out of a desire to
- @ 2550: blog entry or a podcast. Participatory mediums are increasingly becoming the
- @ 2564: expression. Backpack journalism is a participatory medium in that it is
- @ 2737: crowdsourcing as a way of "smart mobbing" a news story by
- @ 2960: that traditional newsrooms display towards participatory journalism originates. He states of
- @ 3183: transformation. That is the warning Martha Stone offers in her essay
- @ 3395: like Dave Winer is that participatory media is in desperate need
- @ 3783: product in the eyes of Martha Stone. She infers that their
- @ 4119: Here to Stay" http://www.ojr.org/ojr/workplace/1017771575.php Stone, Martha "BackPack Journalism is a Mucsh
- @ 4310: a Mush of Mediocrity " Martha Stone's stance is one of
- @ 4376: of all trades" ( www.ojr.org/ojr/workplace/1017771634.php Martha Stone). Additionally Stone draws
- @ 4596: money is irresponsible and short-sighted. Martha Stone implies in her article
- @ 4601: Martha Stone implies in her article that there are many forces
- @ 5356: the craft of journalism is part of one's everyday routine. Winer
- @ 5374: another concept close to the heart of Backpack Journalism - that
- @ 5381: Backpack Journalism - that of Participatory Mediums. A Participatory Medium is
- @ 5384: that of Participatory Mediums. A Participatory Medium is one that includes
- @ 5400: process. The difference between a participatory medium and a passive medium
- @ 5425: interactive medium of blogging. A participatory medium is an interactive medium.
- @ 5463: a perfect example of a participatory medium. Participatory mediums envision the
- @ 5465: example of a participatory medium. Participatory mediums envision the end-user as
- @ 5539: created the concept of blogging partially out of a desire to
- @ 5674: blog entry or a podcast. Participatory mediums are increasingly becoming the
- @ 5688: expression. Backpack journalism is a participatory medium in that it is
- @ 5862: crowdsourcing as a way of "smart mobbing" a news story by
- @ 6086: that traditional newsrooms display towards participatory journalism originates. He states of
- @ 6310: transformation. That is the warning Martha Stone offers in her essay
- @ 6522: like Dave Winer is that participatory media is in desperate need
- @ 6910: product in the eyes of Martha Stone. She infers that their
- @ 7246: Here to Stay" http://www.ojr.org/ojr/workplace/1017771575.php Stone Martha "BackPack Journalism is a Mucsh
- craftzine.com/:
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- @ 1: Cart 0 items Login | Register
- @ 65: --> Categories • Accessories • Art • Bags And Purses •
- molecul.us:
- @ 2: Greetings Earthling.
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- @ 346: presidential candidate John McCain will participate in Friday night's debate against
- @ 541: not the strongest nor the smartest species that survive, Charles Darwin
- @ 57: Nintendo PlayStation Xbox Lifestyle more Arts & Culture Autos Educational Food
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- @ 344: presidential candidate John McCain will participate in Friday night's debate against
- @ 539: not the strongest nor the smartest species that survive, Charles Darwin
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- flickr.com/groups/cinemaitaliano/pool...:
- @ 238: From jovisala47 From jovisala47 From jrpopartz From jovisala47 From jovisala47 From
- flickr.com/photos/horticultural_art:
- @ 480: (2,174 items) Subscribe to horticultural art's photostream – Latest | geoFeed
- @ 70: · horticultural art's Photostream horticultural art's photostream SetsTagsArchivesFavoritesProfile Slideshow Guest
- @ 67: For a Location · horticultural art's Photostream horticultural art's photostream
- flickr.com/photos/davebollinger:
- @ 277: spaced just a bit farther apart than perfect mechanical contact... All
- @ 276: intentionally spaced just a bit farther apart than perfect mechanical contact...
- @ 244: 2009 1 comment D20090630 Gear Artifacts (220) D20090630 Gears A (53)
- @ 216: 2009 0 comments D20090630 Gear Artifacts (220,floral) D20090630 Gear Artifacts (520,paisley)
- @ 220: Gear Artifacts (220,floral) D20090630 Gear Artifacts (520,paisley) All rights reserved Uploaded
- rhizome.org/:
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- brainpickings.org/index.php/2011/01/1...:
- @ 164: Institute chair of History of Art and Design, the portal now
- @ 177: videos presenting unscripted conversations between art historians about the history of
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- @ 213: of six videos, covering iconic art from antiquity to modernity. THE
- @ 516: unconscious and the conscious mind apart. But Dali claimed that in
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- @ 141: most centralized effort to make art history an accessible field. Developed
- @ 132: Florence — all for free. smARThistory is perhaps the most centralized
- @ 5: ABOUT CONTACT NEWSLETTER SHOPPE ART Help Brain Pickings takes 450+
- @ 45: Connect 10 Jan 2011 Democratizing Art History: 5 smARThistory Primers By
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- vimeo.com/3746308:
- @ 563: 4 Related collections Categories / Art Categories / Science & Tech
- @ 34: Projects Toys Log In Free Art & Technology Overview by Evan
- @ 223: 11 months ago 38. Free Art & Technology Overview by Evan
- @ 292: 32. All City Crew - Art Basel Miami 2008 by Evan
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- @ 34: Projects Toys Log In Free Art & Technology Overview by Evan
- @ 223: 11 months ago 38. Free Art & Technology Overview by Evan
- @ 292: 32. All City Crew - Art Basel Miami 2008 by Evan
- @ 460: Tags fffffat fat fffffat free art technology openframeworks open source art
- @ 465: art technology openframeworks open source art hacking code programming f Jonas
- @ 500: sssss.ick i just did my artist presentation for class on you
- @ 563: 4 Related collections Categories / Art Categories / Science & Tech
- edlab.tc.columbia.edu/index.php?q=nod...:
- @ 38: | CAREERS EdLab Digital Art Residency (EDAR) TEAM Team members:Brian
- @ 53: Buth Project The EdLab Digital Art Residency (EDAR) 2010, supported by
- @ 73: the intersections between technology, data, art, and media. EDAR awards selected
- @ 79: and media. EDAR awards selected artists $2,500 to complete their proposed
- @ 161: organizes content. With many users participating on dozens of blogs, Pressible
- @ 199: interact with Pressible? We invite artists with experience and interest in
- @ 236: examples of related previous work.EDAR Artists Expectations Work at least 60
- @ 625: your application. 2009 EdLab Digital Art Residents EdLab selected four artists
- @ 630: Art Residents EdLab selected four artists for EDAR in 2009 –
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- we-make-money-not-art.com/:
- @ 14: transmutations of an Empire architecture art from china art in barcelona
- @ 17: Empire architecture art from china art in barcelona A spectacular exhibition
- @ 98: videos, information, links, online essays, artistic experiences, etc about the role
- @ 145: research trips that engage with earthly phenomena through artistic investigation. 3
- @ 148: engage with earthly phenomena through artistic investigation. 3 artists were invited
- @ 151: phenomena through artistic investigation. 3 artists were invited to the scientific
- @ 201: Life and Fraktur Mon Amour art book reviews design The first
- @ 304: in Nottingham City Centre continue ART, PRICE AND VALUE - Contemporary
- @ 310: PRICE AND VALUE - Contemporary Art and the Market (Part 2)
- @ 314: Contemporary Art and the Market (Part 2) CCCS - Florence The
- @ 326: crisis might force the contemporary art world to find alternatives to
- @ 351: readjust the way we value art continue When the art market
- @ 355: value art continue When the art market goes home shopping CCCS
- @ 368: What is it that makes art famous and expensive? In his
- @ 400: to enact a TV-sale with art objects from contemporary stars continue
- @ 406: objects from contemporary stars continue ART, PRICE AND VALUE - Contemporary
- @ 412: PRICE AND VALUE - Contemporary Art and the Market (Part 1)
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- @ 444: the mechanisms of the international art system. The selection explores different
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- flickr.com/photos/ernestborg9/:
- @ 509: VOYAGER PEACH From the Kid Art series. All rights reserved Uploaded
- @ 354: I did for Jon Spencer/Cristina Martinez' band BOSS HOG, who have
- artandcode.ning.com/:
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- @ 403: April 25-28 (http://is.gd/jx8k) golan: announces ART AND CODE a symposium on
- @ 354: Golan Levin. Welcome toArt and Code Sign Up or
- @ 334: Thinking at Carnegie Mellon University. ART AND CODE is a project
- @ 309: discussions featuring developers and educators. ART AND CODE is made possible
- @ 151: made by artists for artists. ART AND CODE has modest registration
- @ 150: languages made by artists for artists. ART AND CODE has modest
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- @ 72: Mellon University Welcome to ART AND CODE 2009 REGISTER HERE
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- flickr.com/photos/supersolveig/:
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- @ 609: Time/Space Swapping The School of Art has a "Swarm Camera" which
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- collegeart.org/opportunities/:
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- @ 290: gain valuable experience in the art and academic worlds. Listings remain
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- @ 608: presenting their music or sound art with people not familiar with
- @ 594: We’re interested receiving proposals about artists who are experimenting with: Sociological
- @ 528: other writers mailing lists and artists. THE “IDEA OF CONTEXT” ISSUE
- @ 426: intentions and works of the artists. We’re looking for thought-provoking pieces
- @ 416: music and sound with feature articles that focus on the intentions
- @ 187: and scholars citySCENE catalogs how cartography infrastructure and locative media shape
- @ 181: international pool of new media artists and scholars citySCENE catalogs how
- @ 148: edition of our online digital arts publication. Curated by Greg J.
- @ 21: Contact RSS journal citySCENE Device Art Curediting Digital Dub Rise of
- @ 4: Vague Terrain Digital Art / Culture / Technology Search
- smarthistory.org/:
- @ 198: – Pop Art Minimalism Process Art Earth Art Artist Arbus, Diane
- @ 199: Pop Art Minimalism Process Art Earth Art Artist Arbus, Diane Arp,
- @ 162: 1848 – 1907 Pre-Raphaelite Academic Art Realism Impressionism Post-Impressionism Symbolism 1907
- @ 195: International Style 1960 – Pop Art Minimalism Process Art Earth Art
- @ 571: restored News SH wins museum partnership grant, more information soon SH
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- @ 474: 47,045 Visits/Month Explore Smarthistory About Smarthistory This site is being developed
- @ 472: 157 Podcasts 47,045 Visits/Month Explore Smarthistory About Smarthistory This site is
- @ 466: Casting Institutions The academy 220 Artworks 157 Podcasts 47,045 Visits/Month Explore
- @ 443: Images and Power Patronage The Artist as Professional The Skill of
- @ 347: Kazimir Manet, Édouard Mantegna, Andrea Martini, Simone Masaccio Matisse, Henri Michelangelo
- @ 239: Campin, Robert Caravaggio Carracci, Annibale Cartier-Bresson, Henri Cassatt, Mary Cellini, Benvenuto
- @ 201: Minimalism Process Art Earth Art Artist Arbus, Diane Arp, Jean Becher,
- @ 200: Art Minimalism Process Art Earth Art Artist Arbus, Diane Arp, Jean
- @ 2: About Smarthistory All Videos Contribute Links Sitemap
- film-philosophy.com/vol6-2002/n36mark...:
- @ 216: indigenous and other ethnically marginal artists that I found the most
- @ 381: human). It is only in particular historical circumstances that any sense
- @ 1028: in the writing of early art historian Alois Riegl who controversially
- @ 1050: argued that Roman figurative illusionistic art clearly distinguishing figure from ground
- @ 1084: became the province of Islamic art. This privileging of haptic imagery
- @ 1094: imagery took place within Islamic art I would argue for both
- @ 1145: the mimetic relationship with this particular kind of abstract image? Also
- @ 1156: in the history of Islamic art images do not *represent* but
- @ 1173: philosophical statements. As such Islamic art particularly mosque architecture and calligraphy
- @ 1174: statements. As such Islamic art particularly mosque architecture and calligraphy is
- @ 1194: a fruitful prototype for computer-based art. Computer art is similarly algorithm-driven
- @ 1196: prototype for computer-based art. Computer art is similarly algorithm-driven often displays
- @ 1226: the transcendental as in Islamic art. This research may seem a
- @ 1233: research may seem a great departure from the work on embodiment
- @ 1320: 'Mastery (Sonic C'est Moi)' in Martin Reiser and Andrea Zapp eds
- artnet.com/magazineus/features/kuspit...:
- none
- en.wikipedia.org/wiki/Algorithm_art:
- @ 1008: from July 2008 | All articles lacking sources Views Article Discussion
- @ 1012: All articles lacking sources Views Article Discussion Edit this page History
- @ 1034: Featured content Current events Random article Search Interaction About Wikipedia
- @ 999: | Digital art | Contemporary artHidden categories: Articles lacking sources from July
- @ 1000: Digital art | Contemporary artHidden categories: Articles lacking sources from July 2008
- @ 2: Algorithmic art From Wikipedia the free encyclopedia
- @ 11: free encyclopedia (Redirected from Algorithm art) Jump to: navigation search For
- @ 26: basic arithmetic see Algorism. Algorithmic art also known as algorithm art
- @ 31: art also known as algorithm art is art mostly visual art
- @ 33: known as algorithm art is art mostly visual art of which
- @ 36: art is art mostly visual art of which the design is
- @ 47: generated by an algorithm. Algorithmic artists are sometimes called algorists. Contents
- @ 67: algorithm 4 Algorists 5 Algorithmic artists 6 Further reading 7 External
- @ 79: 7.1 Web sites of algorithmic artists and artists' associations [edit] Overview
- @ 81: sites of algorithmic artists and artists' associations [edit] Overview Algorithmic art
- @ 86: artists' associations [edit] Overview Algorithmic art is a subset of generative
- @ 92: is a subset of generative art and is practically always executed
- @ 112: is also classified as computer-generated art but in much computer-generated art
- @ 117: art but in much computer-generated art the role of the computer
- @ 132: execution. In contrast in algorithmic art the creative design is the
- @ 154: process to produce variability. Algorithmic art is also related to systems
- @ 160: is also related to systems art. It is usually digital art
- @ 165: art. It is usually digital art although a number of artists
- @ 170: art although a number of artists work with plotters. Fractal art
- @ 175: artists work with plotters. Fractal art is an example of algorithmic
- @ 181: is an example of algorithmic art. [edit] History The earliest known
- @ 190: earliest known examples of algorithmic art are artworks created by Georg
- @ 192: examples of algorithmic art are artworks created by Georg Nees and
- @ 220: computer and were therefore computer-generated art but not digital art. The
- @ 224: computer-generated art but not digital art. The act of creation lay
- @ 261: next known examples are fractal artworks created in the mid to
- @ 285: execution. Whereas the earliest algorithmic art was "drawn" by a plotter
- @ 292: "drawn" by a plotter fractal art simply creates an image in
- @ 304: memory; it is therefore digital art. The native form of a
- @ 311: native form of a fractal artwork is an image stored on
- @ 328: of very nearly all equation art and of most recent algorithmic
- @ 334: and of most recent algorithmic art in general. However in a
- @ 343: in a stricter sense "fractal art" is not considered algorithmic art
- @ 348: art" is not considered algorithmic art because the algorithm is not
- @ 357: is not devised by the artist. [edit] The role of the
- @ 368: algorithm For a work of art to be considered algorithmic art
- @ 373: art to be considered algorithmic art its creation must include a
- @ 387: an algorithm devised by the artist. Here an algorithm is simply
- @ 404: and possibly execution of an artwork which may include computer code
- @ 421: ultimately determines the form the art will take. This input may
- @ 454: in the production of identical artworks some random factor is usually
- @ 480: a pseudo-random number generator. Some artists also work with organically based
- @ 499: algorithm. By this definition algorithmic art is not to be confused
- @ 539: pre-set in a package). The artist must be concerned with the
- @ 605: not truly be a creative art. The artist's self-made algorithms are
- @ 607: be a creative art. The artist's self-made algorithms are an integral
- @ 613: self-made algorithms are an integral part of the authorship as well
- @ 638: a term used for digital artists who create algorithmic art. One
- @ 642: digital artists who create algorithmic art. One group of algorists is
- @ 661: and establishing their identity as artists following a panel titled "Art
- @ 666: artists following a panel titled "Art and Algorithms" at SIGGRAPH in
- @ 700: if (creation && object of art && algorithm && one's own
- @ 719: elseif (!creation || !object of art || !algorithm || !one's own
- @ 736: algorist * } [edit] Algorithmic artists Yoshiyuke Abe (Japan) Manuel Barbadillo
- @ 848: reading Oliver Grau (2003). Virtual Art: From Illusion to Immersion (MIT
- @ 867: ISBN 0-262-07241-6. Wands Bruce (2006). Art of the Digital Age London:
- @ 893: Burg Wake Forest University Algorithmic Art: Composing the Score for Visual
- @ 899: Composing the Score for Visual Art - Roman Verostko Database of
- @ 906: Roman Verostko Database of Virtual Art Pioneer Archive of Digital Art
- @ 911: Art Pioneer Archive of Digital Art since 1999. Editors-in-Chief: Oliver Grau;
- @ 926: [edit] Web sites of algorithmic artists and artists' associations Harold Cohen
- @ 928: sites of algorithmic artists and artists' associations Harold Cohen Hans Dehlinger
- @ 954: algorists' association The Algorists This article does not cite any references
- @ 966: sources. Please help improve this article by adding citations to reliable
- @ 988: removed. (July 2008) Retrieved from "http://en.wikipedia.org/wiki/Algorithmic_art" Categories: Art genres | Computer art
- @ 989: (July 2008) Retrieved from "http://en.wikipedia.org/wiki/Algorithmic_art" Categories: Art genres | Computer art |
- @ 993: "http://en.wikipedia.org/wiki/Algorithmic_art" Categories: Art genres | Computer art | Digital art | Contemporary
- @ 996: | Computer art | Digital art | Contemporary artHidden categories: Articles lacking
- independent.co.uk/news/world/europe/a...:
- @ 203: Facebook Reddit Print Article Email Article Reuters A view of the
- @ 408: team produced this still-incomplete guide.Arabic artisans supervised by poets employed in
- @ 1013: have been posted about this article. Offensive or abusive comments will
- @ 1186: Andalus was a Mecca of art science and sensuality for medieval
- @ 1863: Moorish Empire fell because they departed from the ascetic moral purity
- @ 2197: Europe - and ultimately large parts of the world - had
- @ 2906: equal any where else on earth.--"Please don't be so romantic about
- @ 201: It del.icio.us Facebook Reddit Print Article Email Article Reuters A view
- @ 128: Environment Sport Life & Style Arts & Entertainment Travel Money IndyBest
- openprocessing.org/visuals/?visualID=...:
- @ 79: an underlying grid of polygons. Starting with an underlying grid of
- @ 1058: nbrSides); // Draw segment that starts at midpoint of p2 p1
- @ 1081: where it intersects segment that starts at midpoint of p2 p3
- @ 1343: fountain where the whole story starts: processing.org processing.org/download processing.org/learning processing.org/reference License
- en.wikipedia.org/wiki/Koch_snowflake:
- @ 111: now popular snowflake except it starts with a line segment instead
- @ 159: that it was created by starting with a line segment then
- @ 225: the same recursive process but starting with an equilateral triangle rather
- @ 400: area.[1] As noted in the article on geometric series the area
- @ 535: the Java implementation XLogo. Try start call rt 30 koch 100.
- @ 654: MOVE 140 POINT 0 ; start GO SIDE RIGHT 120 GO
- @ 1089: from "http://en.wikipedia.org/wiki/Koch_snowflake" Categories: Fractal curves Views Article Discussion Edit this page History
- @ 1111: Featured content Current events Random article Search Interaction About Wikipedia
- flickr.com/photos/camdiary/532795488/...:
- @ 1016: 'next' false 'set' '72157604259457228'); Islamic Art (Set) 99 items '72157600706779191'); if
- @ 755: admin for a group called Art World and we'd love to
- @ 638: months ago. ( permalink ) Marta S. Gufstasson says: Hola
- @ 560: pic presents an aesthetically perfect ARTWORK and deserves an AWARD!!! .
- @ 594: pic presents an aesthetically perfect ARTWORK and deserves an AWARD!!! .
- @ 535: pic presents an aesthetically perfect ARTWORK and deserves an AWARD!!! .
- @ 436: says: A Great work of Art !! I saw this in:
- @ 443: I saw this in: Jalalspages Art and Craft Album Posted 18
- @ 398: months ago. ( permalink ) ArteZoe says: This reminds me
- @ 341: says: Sir Cam experimentation in art and photography always yields good
- flickr.com/photos/shapeshift/25458638...:
- @ 237: to kill them all. The apartment where this is to have
- @ 1244: top 100 (Set) 99 items Part of: document '72057594081275811'); if (_ge('nextprev_thumb_next_set72057594081275811'))
- @ 981: Please post to elegance in art graphics and design . Thanks!
- physics.harvard.edu/~plu/research/isl...:
- @ 800: diz estudo" BBCBrazil.com (UK/Brasil) [ link ] "Arte islâmica desvenda segredos da matemática"
- @ 789: arte islmico" BBCMundo.com (UK/Spain) [ link ] "Arte islmica medieval usava matemtica moderna
- @ 784: [ link ] "Sofisticada geometra en el arte islmico" BBCMundo.com (UK/Spain) [ link ] "Arte
- @ 618: Penrose Tiles" Sciencenews.org [ link ] "Islamic Artisans Constructed Exotic Nonrepeating Pattern 500
- @ 466: " Reuters [ link ] "Geometry meets artistry in medieval tilework " AP/CNN.com
- @ 522: Der Spiegel (Germany) [ link ] "El arte de las matemticas " ABC
- @ 379: and Mail (Canada) [ link ] "The art of repetition " National Post
- @ 352: Herald (New Zealand) [ link ] "Islamic artists were 500 years ahead of
- @ 339: (Australia) [ link ] "Designs from Islamic artists streets ahead of West "
- @ 175: [ link ] "Advanced geometry of Islamic art " BBC World Service: The
- @ 245: Herald Tribune [ link ] **"Medieval Islamic artists made amazing maths breakthrough "
- @ 228: Chicago Tribune [ link ] **"Science Imitates Art?" The Boston Globe [ link ] **"Modern
- sciencemag.org/cgi/eletters/315/5815/...:
- @ 911: It is dubious that Islamic artisans truly understood the meaning of
- @ 934: accompanying News of the Week article (23 Feb. p. 1066). Since
- @ 1112: are not unusual in Islamic art (e.g. spiral tilings that cannot
- @ 1208: the superlattices into which some nanoparticles self-assemble (3). But it would
- @ 1235: that after all science and art may be extraordinarily close. Pedro
- @ 1242: be extraordinarily close. Pedro Cintas Department of Organic and Inorganic Chemistry
- @ 1338: Lu and P. J. Steinhardt's article "Decagonal and Quasi-Crystalline Tilings in
- @ 1369: in 1975 by my dear departed friend the London architect Colin
- @ 1413: world of Islamic decoration with particular focus on the mathematical structure
- @ 1659: April 2007 Peter J. Lu Department of Physics Harvard University Cambridge
- @ 2047: a tessellation. Peter J. Lu Department of Physics Harvard University Cambridge
- @ 2059: 02138 USA. Paul J. Steinhardt Department of Physics and Princeton Center
- @ 2091: M. K. Aboulfotouh Assistant Professor Department of Architecture Faculty of Fine
- @ 2097: of Architecture Faculty of Fine Arts Minia University Egypt Respond to
- @ 2198: on 1:1 scale for the artisans. Since these patterns don't include
- @ 2293: Using the triangle 18/72 and starting from the "center of the
- @ 2538: patterns. Hossam Aboulfotouh Assistant Professor Department of Architecture Faculty of Fine
- @ 2544: of Architecture Faculty of Fine Arts Minia University Egypt References 1.
- @ 2569: practice and equipments pp.12-15 (2007) http://www.britannica.com/eb/article-59495/drafting#213051.hook. 3. J.-M. Castra Arabesques Decorative
- @ 2575: 3. J.-M. Castra Arabesques Decorative Art in Morcco ACR Edition (International
- @ 2660: Science. All Rights Reserved.AAAS is a partner of HINARI AGORA PatientInform CrossRef
- @ 170: Submit a response to this article Published E-Letter responses: Lu and
- @ 208: June 2007) Afterthoughts on Islamic Art and Crystal Symmetries Pedro Cintas
- @ 273: June 2007 Peter J. Lu Department of Physics Harvard University Cambridge
- @ 397: remarkable designs. Peter J. Lu Department of Physics Harvard University Cambridge
- @ 409: 02138 USA. Paul J. Steinhardt Department of Physics and Princeton Center
- @ 436: June 2007 Peter J. Lu Department of Physics Harvard University Cambridge
- @ 631: suggestion in the accompanying News article (23 Feb. p. 1066) we
- @ 721: years later. Peter J. Lu Department of Physics Harvard University Cambridge
- @ 733: 02138 USA. Paul J. Steinhardt Department of Physics and Princeton Center
- @ 762: p. 103. Afterthoughts on Islamic Art and Crystal Symmetries 7 June
- @ 771: 7 June 2007 Pedro Cintas Department of Organic and Inorganic Chemistry
- @ 791: E-Letter: Re: Afterthoughts on Islamic Art and Crystal Symmetries After reading
- @ 799: Symmetries After reading the appealing article by P. J. Lu and
- nuit-blanche.blogspot.com/2008/10/cs-...:
- @ 458: quasicrystals form due to a particular cluster being energetically favored a
- @ 886: intuitions and heuristics obtained for particular domains in lower dimensions......Before proceeding
- @ 1664: blogs and webpages Saturday Morning Cartoons Sherpa/Romeo Publisher copyright policies &
- @ 1060: Compressive Sampling the Computer Science Department at University of Alberta has
- @ 301: cases the formation of the particular structure appears to be explained
- @ 32: 01 2008 CS: Tilings Islamic Art Our Retina Papoulis Sub-Nyquist Theorem
- @ 87: his reference to some Islamic Art. If you recall Yves Meyer
- @ 128: connection between quasicrystals and Islamic art was made by Peter Lu
- @ 2276: Oct 2008 (28) art share similar features. They involve
- @ 882: For Islamic Architecture due in part to restrictions on literal representation
- @ 860: be forgotten when studying Islamic art. One is the idea that
- @ 785: distinguishing characteristic that sets them apart from the Geometries of Alhambra.
- @ 759: of art; their output (the artwork) is fleeting transient and less
- @ 755: They are process-oriented forms of art; their output (the artwork) is
- @ 730: process becomes integral to the art itself. (3 Sterling) Both the
- @ 723: these early examples of generative art the process becomes integral to
- @ 615: algorithm can that work of art be considered algorithmic even if
- @ 635: other historical forms of algorithmic art as serve to validate this
- @ 644: validate this idea that algorithmic art can exist outside the confines
- @ 675: involving plane geometry with the art found in Alhambra. Both the
- @ 694: 20th century examples of generative art. Both use algorithmic processes and
- @ 2432: field of Cellular Automata or Artificial Life. The principle of cellular
- @ 2598: of a 20th century Dutch artist M.C. Escher is rife with
- @ 2422: with current trends in generative art is found in the field
- @ 2178: the Mexuar Hall have a particularly fractal-like quality. The Koch Snowflake
- @ 2138: One fractal illustrates this connection particularly well. The Koch curve described
- @ 1953: with fractal geometry suggests that part of the appeal this type
- @ 1654: of a discussion of generative art is the fractal. A fractal
- @ 1632: in the citadel where the parts act in concert on the
- @ 1542: of Alhambra and contemporary computer art. Much of Alhambra's art contains
- @ 1546: computer art. Much of Alhambra's art contains a sense of cohesion
- @ 1536: as a bridge between the art of Alhambra and contemporary computer
- @ 1527: deciphering the significance of Alhambra's artistic treasures as well as a
- @ 1378: a mere skin of an artwork whose underlying structure and raison
- @ 1449: is expressed through certain Islamic art is explained by Marks as
- @ 1369: Marks states: In computer art the image is a mere
- @ 1361: art such as the geometric art of Alhambra. Marks states:
- @ 1356: art as well as Islamic art such as the geometric art
- @ 1351: we experience both contemporary computer art as well as Islamic art
- @ 1170: information takes the form of art whether that art is ancient
- @ 1173: form of art whether that art is ancient Islamic art or
- @ 1177: that art is ancient Islamic art or contemporary computer art. Enfolding
- @ 1181: Islamic art or contemporary computer art. Enfolding experience or information is
- @ 1204: at the core of the artwork. She underscores the importance of
- @ 1236: and ancient forms of algorithmic art share is an idea that
- @ 1248: output or the work of art itself is generated from a
- @ 1267: Marks) Marks states of computer art that: "The image is a
- flickr.com/groups/1012163@N22/pool/:
- @ 236: -... From chris_rushing From Esther Aarts From Seven_Hundred From c86 From
- fabrica.it/workshops/sterling_videos....:
- @ 79: download Bruce Sterling interview - part 03 of 03 | download
- @ 69: download Bruce Sterling interview - part 02 of 03 | download
- @ 59: download Bruce Sterling interview - part 01 of 03 | download
- @ 39: download Bruce Sterling lecture - part 02 of 03 | download
- @ 49: download Bruce Sterling lecture - part 03 of 03 | download
- @ 29: Videos Bruce Sterling lecture - part 01 of 03 | download
- @ 7: Sterling Designing Processes Rather Than Art Workshop November 25–28 2008 by
- flickr.com/photos/anneg/2724164077/in...:
- @ 89: des palais nasrides vraiment ma partie préférée de l'Alhambra. To take
- visualcomplexity.com/vc/project_detai...:
- @ 163: Justice. John is currently a Partner at Apperceptive LLC.You can see
- @ 55: Description: Trevor Paglen is an artist and geographer based in Berkeley
- bannerblog.com.au/news/2009/06/35_awe...:
- @ 1753: Turning the logo into an art canvas was nice idea. Too
- @ 1746: Wunderman [AU]View Relapse 3D Art Comp Turning the logo into
- @ 1721: use AR. Agency: UnknownView Earth Hour World in Your Hands
- @ 1694: buzz. Agency: Goodby, Silverstein & Partners [US]View Assassins Creed 2
- @ 1676: | More Info GE Smart Grid For such a dry
- @ 1615: applications to the commercial and art world.Correction Update: Apologies to Metaio
- @ 1340: PM | Link to this Article | View Comments Archived in:
- @ 1549: rather than the tech and art side.Augmented Reality!? That's so 2008
- @ 1229: as commercial applications for it start to materialize. More Reading I
- @ 1246: more info from the following sites/articles. http://en.wikipedia.org/wiki/Augmented_realityhttp://www.notcot.org/tag/augmented%20reality/Yotube Searchhttp://replicatorinc.com/blog/2009/04/augmented-reality-going-mainstream/http://blog.zeusdidit.com
- @ 1185: Cons: Lower quality 3D Links: FLARTThere is also various other technologies
- @ 1211: labs and I think we'll start to see this technology get
- @ 1011: 2008 Xmas card rush Agency: TellartView Special Moves Xmas Agency:
- @ 964: I love how anti-advertising the art world is.View Arhrrrrrr Zombie
- @ 864: BMW Not just brands. Artists, tech heads and musicians are
- @ 958: video Agency: UnknownView The Artvertiser I love how anti-advertising the
- @ 459: use AR. Agency: UnknownView Earth Hour World in Your Hands
- @ 484: Wunderman [AU]View Relapse 3D Art Comp Turning the logo into
- @ 491: Turning the logo into an art canvas was nice idea. Too
- @ 414: | More Info GE Smart Grid For such a dry
- @ 432: buzz. Agency: Goodby, Silverstein & Partners [US]View Assassins Creed 2
- @ 353: applications to the commercial and art world.Correction Update: Apologies to Metaio
- @ 287: rather than the tech and art side.Augmented Reality!? That's so 2008
- digicult.it/digimag_eng/index.asp:
- @ 3613: those instructions. Digital art, software art, or any work of art
- @ 3618: art, or any work of art that utilizes media as its
- @ 3611: execution of those instructions. Digital art, software art, or any work
- @ 3597: wave, a work of digital art is both a set of
- @ 3589: a photon is both a particle and a wave, a work
- @ 3581: of a work of digital art. Just as a photon is
- @ 3552: does a work of digital art, which exists as both invisible
- @ 3537: Media Just as a quantum particle has both a virtual and
- @ 3526: PHYSICALITY: QUANTUM PARTICLES AND DIGITAL ART Txt: Jeremy Levine Area: New
- @ 2726: one of the most interesting artistic collectives in the last few
- @ 2537: treatment" . That is the artist's thought, who goes on saying
- @ 2358: translate into a work of art. Epidemiological criticism on the one
- @ 2260: undoubtedly an conscious and sensitive artist, for the sensitive issues she
- @ 2251: Eng: Monica Fontana Area: Bio Art Gina Czarnecki is undoubtedly an
- @ 2234: THE ART AND THE EPIDEMIOLOGICAL CRITICISM OF
- @ 2225: ---------------------------------- BIO ART //Marco Mancuso
- @ 2180: by Ape5 and the sound art of circuit bending practiced by
- @ 2027: environments. Paths is in two parts: Recollection... read more... ------------------------------------------------------------------------------------------------------------- top
- @ 586: that collocates it between those parties with the most consensus in
- @ 629: ----------- A NEW CENTER FOR ART & TECHNOLOGIES Txt: Davide Anni
- @ 645: Hacktivism A new Center for Arts and Technologies was born in
- @ 727: out the possible relations between artists and tech experts, acting as
- @ 805: ----------------------------------FREE SOFTWARES //Loretta Borrelli GAME ART //Philippa Barr HACKMEETING
- @ 928: is based on the voluntary participation of millions of active users
- @ 1002: Txt: Philippa Barr Area: Game Art Dr. Alessandro de Gloria is
- @ 1096: project which involving 15 different partners across Europe to design a
- @ 1111: promotion of European cultural and artistic heritage. In an online environment
- @ 1164: EXPERIMENTAL CINEMA //Alessio Galbiati VIDEO ART //Silvia Casini
- @ 1264: the manifesto of the communist party, one could say about the
- @ 1359: Eng: Emanuela Cassol Area: Video Art A photographer and a filmmaker,
- @ 1445: born in South Africa, an artist, whose artistic matrix is drawing,
- @ 1447: South Africa, an artist, whose artistic matrix is drawing, but who
- @ 1470: on the social role of art and the responsibility of the
- @ 1476: and the responsibility of the artist. This brief article does not
- @ 1479: of the artist. This brief article does not aim to draw
- @ 1489: draw a comparison between two artists, whose languages and biographies differ,
- @ 1545: percussion) created by the multidisciplinary artist Roland Olbeter, that you 'play'
- @ 1749: her show has had guest artists as Flying Lotus, The Beastie
- @ 1898: project by the Piedmontese audiovisual artist Paolo Inverni - was inaugurated.
- @ 3523: top ----------- EPHEMERAL PHYSICALITY: QUANTUM PARTICLES AND DIGITAL ART Txt: Jeremy
- @ 3427: The stimulating the birth of start-up events in two days is
- @ 3397: event-conference I Realize - The Art of Disruption has been presented
- @ 3385: the creation of new disruptive start-ups in different areas of work."
- @ 3271: in a moving work of art, moving on the red thread
- @ 3168: culture overcoming the borders between arts and presenting theatre, dance, contemporary
- @ 3138: fruit of the encounter between artists, architectures and public in a
- @ 562: could oppose such euphoria! The party of the pirates presented itself
- @ 543: Brussels, the board of Pirate Party International, the political branch of
- @ 3113: the Savoy residences is the heart of the festival, since it
- @ 3040: always put the integration of arts and the enhancement of territory
- @ 3006: a lot in the contemporary art is the extraordinary “Teatro A
- @ 2953: Tx: Massimo Schiavoni Area: Performing Art Summer time, Festival time. In
- @ 2945: TEATRO A CORTE 09. ART WITHOUT BORDERS Tx: Massimo Schiavoni
- @ 2937: ----------------------------------Performing Art //Massimo Schiavoni TEATRO A
- @ 394: work. This is when digital art is at its best, when
- @ 2832: or sensory increase, they are part of the most wide spreaded
- @ 17: | A.I | Design | PerformingArt | NewMedia :::DIGICULT::::::DIGIPOD::: Pubblicazione mensile:Digicult
- @ 7: | HackArt | SoftwareArt | VideoArt | Electronica | AudioVideo |
- @ 5: NetArt | HackArt | SoftwareArt | VideoArt | Electronica |
- @ 3: NetArt | HackArt | SoftwareArt | VideoArt |
- @ 1: NetArt | HackArt | SoftwareArt |
- patterninislamicart.com/:
- @ 320: © 2007 Pattern in Islamic Art
- @ 73: kinds as well as for art-historians and art-lovers generally. TUR 0608
- @ 36: Islamic world. Historically, the decorative arts have always formed a major
- @ 42: have always formed a major part of Islamic aesthetic expression. Its
- @ 75: well as for art-historians and art-lovers generally. TUR 0608 Alay Han
- minimal drum machine :
- none
- openprocessing.org/visuals/?visualID=...:
- @ 574: 2; }*/ class Particle { public float x y;
- @ 607: boolean conservative = true; Particle(int matrix_x1 int matrix_y1 float x1
- @ 559: (int i=0; i<particleCount; i++) { particles[i].conservative = false; } }
- @ 539: i=0; i<particleCount; i++) { particles[i].move(); particles[i].render(); } if (saveFrames && (frameNum%10==0))
- @ 556: mousePressed() { for (int i=0; i<particleCount; i++) { particles[i].conservative = false;
- @ 538: (int i=0; i<particleCount; i++) { particles[i].move(); particles[i].render(); } if (saveFrames &&
- @ 535: } for (int i=0; i<particleCount; i++) { particles[i].move(); particles[i].render(); }
- @ 469: = true; } else { particles[i].conservative = false; } } }
- @ 487: colorMode(RGB 255); background(0); background(0); //frameRate(25); createParticles(); } void draw() {
- @ 463: rnd = int(random(points.length)); particles[i].setHomePos(points[rnd].x+sx/2 points[rnd].y+sy/2); particles[i].conservative = true; } else {
- @ 452: = gr.getPoints(); for (int i=0;i<particleCount;i++) { if (random(1)>independenceProbability) { int
- @ 403: initSpeed*(random(1)-0.5)); float rnd = random(1); particles[particleCount++].setColor(int(rnd*20) int(rnd*250) int(160)); } } }
- @ 461: { int rnd = int(random(points.length)); particles[i].setHomePos(points[rnd].x+sx/2 points[rnd].y+sy/2); particles[i].conservative = true; }
- @ 390: (int k=0; k<matrix_sy; k++) { particles[particleCount] = new Particle(i k i*dx+1
- @ 393: k++) { particles[particleCount] = new Particle(i k i*dx+1 k*dy+1 initSpeed*(random(1)-0.5) initSpeed*(random(1)-0.5));
- @ 369: = 0; particles = new Particle[matrix_sx*matrix_sy]; float dx = sx/(matrix_sx-1); float
- @ 366: createParticles() { particleCount = 0; particles = new Particle[matrix_sx*matrix_sy]; float dx
- @ 361: frameNum = 0; void createParticles() { particleCount = 0; particles
- @ 363: 0; void createParticles() { particleCount = 0; particles = new
- @ 346: // ------------------ Particle[] particles; int particleCount; String currentMessage; int
- @ 348: ------------------ Particle[] particles; int particleCount; String currentMessage; int currentMessageId =
- @ 345: // ------------------ Particle[] particles; int particleCount; String currentMessage;
- @ 128: license. Work: http://openprocessing.org/visuals/?visualID=1121License: http://creativecommons.org/licenses/by-sa/3.0/ typography particles1232 views Mar 2009 Embed Code
- @ 242: comment. fullscreen P5 page download particles_vs_text_01.pdeparticle.pde import geomerative.*; // ----
- @ 283: float energyLoss = 1.03; int particleOpacity = 255; int eraserOpacity =
- @ 110: below when attributing this sketch: Particles vs Text 01 by Peter_K
- @ 76: 01 uploaded by Peter_K Using particles to draw text. Particles inspired
- @ 80: Using particles to draw text. Particles inspired by script by Keith
- @ 68: portfolio of Peter_K see more> Particles vs Text 01 uploaded by
- @ 858: void render(){ stroke(r g b particleOpacity); if (drawLines) { line(px py
- openprocessing.org/visuals/?visualID=...:
- @ 354: ba; for (y = Y_START; y < height; y +=
- @ 280: .35f; private static final float Y_START = 180f; private float time
- artandcode.ning.com/:
- @ 143: CODE: Mobile Media and Interactive Arts - a symposium on the
- @ 166: event will feature intimate, practical, arts-oriented programming workshops for popular mobile
- @ 179: as the iPhone, Android, Nokia Smartphones, SMS hacking, and PBX telephony
- @ 208: a variety of contemporary critical, artistic and design practices.MOBILE ART &&
- @ 212: critical, artistic and design practices.MOBILE ART && CODE is made possible
- @ 236: Computational Thinking at CMU. The ART && CODE symposium series is
- @ 263: questions or concerns about MOBILE ART && CODE, please email Golan
- @ 288: Kainbacher and 1 more joined Art and Code 22 minutes ago
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- @ 590: is now a member of Art and Code Welcome Them! August
- @ 601: 15 RSS Welcome toArt and Code Sign Up or
- @ 24: Register Location Groups Store MOBILE ART && CODE is a symposium
- @ 32: is a symposium on the artistic and tactical potential of mobile,
- @ 62: ($75/ea.)7 Nov (Sat): Free All-Day Artist Presentations + Evening Performances8 Nov
- @ 95: Inc. Welcome to MOBILE ART && CODE 2009 (#artandcode) ART
- @ 99: MOBILE ART && CODE 2009 (#artandcode) ART && CODE is an
- @ 100: ART && CODE 2009 (#artandcode) ART && CODE is an event
- @ 118: democratization of computer programming for artists, young people, and the rest
- @ 136: successful workshop/lecture series with MOBILE ART && CODE: Mobile Media and
- openprocessing.org/visuals/?visualID=...:
- @ 195: know the efx of op art, but this one is really
- @ 274: dotlassie14 Sep 2009, 14:42 Inspiration? http://artdecoblog.blogspot.com/2009/03/european-jumper-1930s_07.html You need to login/register to
- flickr.com/groups/stencils/pool/:
- @ 312: tags Subscribe to the Stencil Art pool – Latest | geoFeed
- @ 300: streetart graffiti art street See all
- @ 296: Group Tags stencil streetart graffiti art
- @ 252: Berit From Marthe Berit From Marthe Berit < Prev 1 2
- @ 249: Berit From Marthe Berit From Marthe Berit From Marthe Berit <
- @ 246: -stickee- From Marthe Berit From Marthe Berit From Marthe Berit From
- @ 243: From pika-Spika From -stickee- From Marthe Berit From Marthe Berit From
- @ 75: Pool This Group's Discussions Stencil Art Group Pool Discussion 2,599 Members
- toxiclibs computational libraries:
- none
- creativenerve.com/series.html:
- @ 765: original text integral to the artwork, this piece is not currently
- @ 757: and Romy Achituv. Because the artists consider the original text integral
- @ 748: a highly publicized and recognized artwork by Camille Utterback and Romy
- @ 648: reveal words in a quote. Participants first notice a live image
- @ 545: the original video causing participants to think about larger issues
- @ 464: unexpected and eye-catching ways. As participants walk past these projections they
- @ 426: of urban experience, and instills participants with the excitement and infinite
- @ 354: pre-recorded video clip. As a participant moves towards the projection screen
- @ 257: allows viewers to become active participants in creating what they see.
- @ 161: any other space where interactive art may intrigue and fascinate your
- @ 92: maintain your installation - including startup and shutdown of the installation
- @ 76: internet connection to swap the artwork on display when you request
- @ 43: project from this internationally acclaimed artist. During the subscription term, clients
- @ 8: offers the award winning interactive artworks of Camille Utterback on a
- processing.org/learning/tutorials/obj...:
- @ 1939: one will be colored white, start in the middle of the
- @ 1447: variable (i.e., give it a starting value), we use an assignment
- @ 1255: can greatly simplify the main parts of a Processing sketch (i.e.
- @ 132: if you will. It might start out something like: Wake up.
- @ 543: color. Initialize car location to starting point. Initialize car speed. Draw:
- @ 24: Contribute FAQ Overview \ Getting Started \ Examples \ Tutorials \
- nytimes.com/2009/11/24/arts/design/24...:
- @ 1317: Technology Science Health Sports Opinion Arts Style Travel Jobs Real Estate
- @ 947: Bureau Get E-Mail Alerts More Articles in Arts » MOST POPULAR
- @ 949: E-Mail Alerts More Articles in Arts » MOST POPULAR E-Mailed Blogged
- @ 927: Samsung GoTM netbook Related Searches Art Get E-Mail Alerts Recession and
- @ 890: » A version of this article appeared in print on November
- @ 884: I guess.” More Articles in Arts » A version of this
- @ 882: a habit, I guess.” More Articles in Arts » A version
- @ 787: spend more time on their art when avenues for making money
- @ 814: layoffs at Cooper, Robinson & Partners, is trying to make it
- @ 753: documentaries right now.” Perhaps because artists tend to have an idealistic
- @ 719: who also runs a nonprofit arts organization that she founded, said
- @ 671: and the Warhol Factory,” was partly paid for with credit cards,
- @ 629: their income from art. Even artists whose second jobs have carried
- @ 627: less of their income from art. Even artists whose second jobs
- @ 604: higher, $80,000 or more. Visual artists (who made up half of
- @ 592: of their income, and those artists were often those whose incomes
- @ 567: their total income from their art. But at the other end
- @ 540: their overall income from their artwork or almost all of it.
- @ 526: Bureau demographics for artists.) The artists surveyed tended to earn either
- @ 524: to Census Bureau demographics for artists.) The artists surveyed tended to
- @ 500: the entire population of practicing artists in the United States.” But
- @ 480: Arts, publicized the survey through arts organizations and acknowledged that as
- @ 475: the National Endowment for the Arts, publicized the survey through arts
- @ 464: which was paid for in part by the Ford Foundation and
- @ 399: figures. While the majority of artists have college degrees, only 6
- @ 416: more. “A lot of the artists who were reporting were telling
- @ 390: that in general very few artists’ incomes approach six figures. While
- @ 357: and commissioned by a nonprofit artist-support organization called Leveraging Investments in
- @ 324: been exceptionally tough for many artists. Eighteen percent of those who
- @ 306: provide statistical support for what artists themselves have long known. But
- @ 268: the findings that working artists tend to work day jobs
- @ 248: the state of the country’s artists, a group that the Census
- @ 228: like painting, filmmaking and architecture participated in the online survey, a
- @ 183: more. Join the discussion. More Arts News Enlarge This Image Hiroko
- @ 41: Science Health Sports Opinion Arts Art & Design Books Dance Movies
- @ 63: Shows Pain of Recession for Artists Sign In to E-Mail Print
- @ 83: major new survey of American artists and how they are weathering
- @ 162: feature ideas I have.” Blog ArtsBeat The latest on the arts,
- @ 167: ArtsBeat The latest on the arts, coverage of live events, critical
- @ 40: Technology Science Health Sports Opinion Arts Art & Design Books Dance
- @ 26: Times Topics Search All NYTimes.com Art & Design World U.S. N.Y.
- @ 3: Skip to article Get Home Delivery Log In
- findarticles.com/p/articles/mi_m0268/...:
- @ 1302: Do With Your Money Even smart people make financial moves that
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- @ 1050: Interview Most Popular Arts Publications Art in America Interview ArtForum Dance
- @ 1048: Vedder - Interview Most Popular Arts Publications Art in America Interview
- @ 989: a lot in common, and art professionals can learn a lot
- @ 968: Women Writers Most Popular Arts Articles What makes a successful business
- @ 967: American Women Writers Most Popular Arts Articles What makes a successful
- @ 949: OBITUARIES: Teddy Pendergrass Most Recent Arts Publications Cinema Tydskrif vir Letterkunde
- @ 909: to Avoid Most Recent Arts Articles Trace and travesty: how the
- @ 908: Risks to Avoid Most Recent Arts Articles Trace and travesty: how
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- @ 649: anyone you know? COPYRIGHT 2005 Artforum International Magazine, Inc. COPYRIGHT 2008
- @ 579: effective representation yet of the artist's concerns. What remains unclear in
- @ 503: incongruously deadpan Fallen Giants, a multipart woodblock print on Mylar and
- @ 207: telephone lines, satellite dishes, vehicle parts, oil rigs, tires, and batteries
- @ 158: first show at Irvine Contemporary Art featured five ink, gouache, and
- @ 145: inclusion in P.S. I Contemporary Art Center's expansive "Greater New York
- @ 132: the scores of New York-based artists currently getting a career boost
- @ 83: Nicola Lopez: Irvine Contemporary Art ArtForum, Oct, 2005 by Nord Wennerstrom
- @ 82: Feed Nicola Lopez: Irvine Contemporary Art ArtForum, Oct, 2005 by Nord
- @ 73: Reference Technology Lifestyle Newspaper Collection Arts Publications Topic: RSS Feed Nicola
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- @ 6: c788 Nicola Lopez: Irvine Contemporary Art | ArtForum | Find Articles
- en.wikipedia.org/wiki/Sublime_%28phil...:
- @ 3842: Featured content Current events Random article Search Interaction About Wikipedia
- @ 3818: articles to be expanded Views Article Discussion Edit this page History
- @ 3813: from June 2008 | All articles to be expanded Views Article
- @ 3804: statements from January 2007 | Articles to be expanded from June
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- @ 3791: in aesthetics Hidden categories: All articles with unsourced statements | Articles
- @ 3764: Thomas Munro · Curt John Ducasse · Arthur Danto · more ... Portal · Category ·
- @ 3707: Klee · Jean-François Lyotard · Joseph Margolis · Martin Heidegger · Nelson Goodman · Richard Wollheim ·
- @ 3691: W. Adorno · Alexander Gottlieb Baumgarten · Arthur Schopenhauer · David Hume · Friedrich Nietzsche ·
- @ 3690: Theodor W. Adorno · Alexander Gottlieb Baumgarten · Arthur Schopenhauer · David Hume · Friedrich
- @ 3684: Psychoanalytic theory · more... Philosophers of art Theodor W. Adorno · Alexander Gottlieb
- @ 3642: aesthetics Aesthetic emotions · Art manifesto · Art object · Avant-garde · Beauty · Boring · Comedy ·
- @ 3640: Concepts in aesthetics Aesthetic emotions · Art manifesto · Art object · Avant-garde · Beauty ·
- @ 3619: Humour · Literary merit · Mathematics and art · Mathematical beauty · Painting · Philosophy of
- @ 3604: music · Applied aesthetics · Architecture · Art · Arts criticism · Gastronomy · History of aesthetics
- @ 3603: of music · Applied aesthetics · Architecture · Art · Arts criticism · Gastronomy · History of
- @ 3596: and philosophy of art Related articles Aesthetics of music · Applied aesthetics ·
- @ 3594: v • d • e Aesthetics and philosophy of art Related articles Aesthetics of music ·
- @ 3580: The Journal of Aesthetics and Art Criticism, Vol. 61, No. 3
- @ 3561: in Modern Aesthetic Theory". Philosophical Quarterly, 43(2):97-113, 1961. Zuckert, R. ‘Awe
- @ 3506: The Journal of Aesthetics and Art Criticism, Vol. 51, No. 4
- @ 3516: 4 (Autumn 1993): 541-550. Schopenhauer, Arthur. The World as Will and
- @ 3227: The Journal of Aesthetics and Art Criticism, Vol. 59, No. 3
- @ 3027: The Journal of Aesthetics and Art Criticism, Vol. 56, No. 2
- @ 3148: Max. Aesthetics and theory of art. Ästhetik und allgemeine Kunstwissenschaft. Translated
- @ 3004: The Journal of Aesthetics and Art Criticism, Vol. 53, No. 2
- @ 2748: of the Sublime and Beautiful, Part I, Section XV. ^ Stolnitz,
- @ 2863: G.W.F. Aesthetics: Lectures on Fine Art. Translated by T.M. Know. Oxford:
- @ 2631: is capable of feeling...." In Part II, Section II, Burke wrote:
- @ 2566: of the Sublime and Beautiful, Part I, Section VII, "Whatever is
- @ 2417: The Journal of Aesthetics and Art Criticism and The British Journal
- @ 2520: Joseph Addison, Remarks on Several Parts of Italy etc. in the
- @ 2410: last 15 years, with occasional articles in The Journal of Aesthetics
- @ 2066: Kunstwissenschaft, or the "science of art", which was a movement to
- @ 2019: could create the sublime through art. Both the Hunchback and Notredame
- @ 2013: dealt with how authors and artists could create the sublime through
- @ 1939: Fog, 1817, Kunsthalle Hamburg. Romantic artists during the 19th century used
- @ 1910: disembodiment and formlessness of these art forms inspired the viewer with
- @ 1894: metrical patterns characteristic of Islamic art, were typical examples of the
- @ 1885: that is characteristic of Chinese art, or the dazzling metrical patterns
- @ 1854: reasoning, this meant that oriental artists were more inclined towards the
- @ 1817: a characteristic feature of oriental art. His teleological view of history
- @ 1545: sublime event such as an earthquake demonstrates inadequacy of one's sensibility
- @ 1154: effects for the sublime, in particular the dual emotional quality of
- @ 1107: problem of an object of art representing the ugly as producing
- @ 1091: For Aristotle the function of art forms was to create pleasure,
- @ 810: are generally considered as the starting points for Burke's analysis. [edit]
- @ 771: concept of the sublime. An art object could be beautiful but
- @ 667: commented in Remarks on Several Parts of Italy etc. that "The
- @ 618: beauty. In referring to the Earth as a "Mansion-Globe" and "Man-Container"
- @ 647: with a sublime Celestial Spirit...." (Part III, sec. 1, 373).[3] Joseph
- @ 536: world as a "noble ruin" (Part III, Sec. 1, 390-91), but
- @ 185: or lofty thought or language, particularly in the context of rhetoric.
- @ 62: intellectual, metaphysical, aesthetic, spiritual or artistic. The term especially refers to
- goliath.ecnext.com/coms2/gi_0199-4424...:
- @ 33: Us Login My Account View Cart Browse or Search over
- @ 41: or Search over 5 million articles » Find Articles by Publication
- @ 44: 5 million articles » Find Articles by Publication Home | Business
- @ 84: OnlineDelivery: Immediate Online Access Full Article Title: The twilight zone of
- @ 100: Strand and Edward Hopper.(Critical Essay) Article Excerpt Although Strand has written
- @ 108: Strand has written books about artists, his poetry never is compared
- @ 116: never is compared with visual art. This essay compares Strand with
- @ 229: only correspondence between these two artists. Both artists make use of
- @ 231: between these two artists. Both artists make use of a highly
- @ 264: of stillness caught in an artificially constructed space; both create an
- @ 285: has written two monographs on artists, Hopper and William Bailey; edited
- @ 299: works by modern figurative painters, Art of the Real, and been
- @ 360: that replicates the texture of artist's charcoal drawing paper. A limited
- @ 401: compare his poetry to visual art nor do they look for
- @ 622: and spiritual strength of the artistic community. Strand's selection of Hopper
- @ 635: to the special affinity both artists display for the evocation of
- @ 656: evident in the way both artists repetitively utilize familiar objects and
- @ 709: that irresistably and repetitively vitalizes artists in their work, temporarily distancing
- @ 1119: in the shape of a heart. The wind's sighs are like
- @ 1149: tomorrow, like your life, is partially here, partially up in the
- @ 1151: your life, is partially here, partially up in the air. There
- @ 1254: the person's life, which "is partially here, partially up in the
- @ 1256: life, which "is partially here, partially up in the air," perhaps
- @ 1268: "glass cloud in... View this article FREE - Now for a
- @ 1285: Free for 3 Days! More articles from Mosaic (Winnipeg) Patterns of
- @ 1327: June 01, 2005Looking for additional articles? Search our database of over
- @ 1335: database of over 3 million articles.Looking for more in-depth information on
- @ 1505: 2008, The Gale Group, a part of Cengage Learning, All Rights
- press.princeton.edu/titles/7326.html:
- @ 43: & Tim Barringer Winner of Art Newspaper/AXA Art Exhibition Catalogue AwardWinner
- @ 45: Barringer Winner of Art Newspaper/AXA Art Exhibition Catalogue AwardWinner of Henry-Russell
- @ 189: Within a single generation these artists established the dramatic approach to
- @ 229: born of the urgency these artists sensed in the life of
- @ 288: three gatefolds. Biographies of the artists are included, and thoughtful and
- @ 318: the context of the international art world and of the European
- @ 339: empire in America, looking in particular at how these landscapes, whether
- @ 366: of our most important American artists and the land that inspired
- @ 440: to the study of American art history."--Phyllis Tuchman, ArtNet Magazine "The
- @ 443: of American art history."--Phyllis Tuchman, ArtNet Magazine "The essays and catalog
- @ 463: and historical context for the artwork, [but] it is the stunning
- @ 572: sometimes grandiose intentions of the artists who painted them and the
- @ 578: who painted them and the art collectors who displayed them."--Jonathan Kirsch,
- @ 647: of the works."--Geoffrey Newman, The Art Book More reviews Table of
- @ 734: C. BOETTCHER Biographies of the Artists 252 Notes 262 Bibliography 272
- @ 748: 278 Index 279 Subject Areas: Art and Architecture American History Published
- @ 820: me emailsabout new books in: Art and Architecture American History More
- cscs.umich.edu/~crshalizi/T4PM/futuri...:
- @ 41: the internal glow of electric hearts. And trampling underfoot our native
- @ 71: paper with demented writing. Our hearts were filled with an immense
- @ 296: they very first sunrise on earth! Nothing equals the splendor of
- @ 707: of joy deliciously pierce my heart. A crowd of fishermen and
- @ 837: all the living men on earth. MANIFESTO OF FUTURISM We want
- @ 971: axis of which crosses the earth, itself hurled along its orbit.
- @ 1436: the painful contortions of the artist trying to break uncrossable barriers
- @ 1483: want to waste the best part of your strength in a
- @ 1523: crucified dreams, registers of false starts!) is for artists what prolonged
- @ 1526: of false starts!) is for artists what prolonged supervision by the
- @ 1824: the more hatred as their hearts will be drunk with love
- @ 1845: radiantly from their eyes. For art can only be violence, cruelty,
- @ 1899: not out of breath, our hearts are not in the least
- dataisnature.com/:
- @ 7240: Equipment R4 SDHC R4 DS Karte Car Leasing [+] Precision Plastic
- @ 7218: generator.x origamitessellations infosthetics socialfiction proce55ing wemakemoneynotart serial consign light matters IFF
- @ 7185: dunas. Pointillist imitations by Lego Artbot from Nils Völker. landed: 7/29/2009
- @ 7174: of radio wave frequencies. Aeolian earth processing. La morfología de las
- @ 7025: Flickrs from ‘I Aint An Artist.’ Green Desert (detail) - Bernhard
- @ 6988: & other very small code-based artworks (Microcodes) - Pall Thayer. Decryptopattern,
- @ 6939: with the artist at Geoform. Earth morphologies - beautiful photographs by
- @ 6936: an in-depth interview with the artist at Geoform. Earth morphologies -
- @ 6508: Biomorph came into being. 10 Artists/writers/architects were invited to submit work.
- @ 6489: on some of my favourite artists working within this paradigm, and
- @ 6473: the use of code by artists to create biological simulations, algorithmic
- @ 6451: a topic dear to the heart of dataisnature. One of the
- @ 6407: the web journal of digital arts he launched in collaboration with
- @ 6283: but also alludes to ice particle patterns forming on the surface
- @ 6197: datasets. Scape uses a 2-dimensional particle system which is then extruded
- @ 6072: Froebel, the founder of the Kindergarten model, is well know for
- @ 5966: (0) --> Temari – The art of Japanese Threadballs Temari spheres
- @ 5847: and parametric architecture scene. Computational artisans are creating whole new species
- @ 5841: of sorts, within the generative art and parametric architecture scene. Computational
- @ 5742: sandstone has the qualities of particulate matter, it makes the process
- @ 5503: As with the previous two artists, Kat Masback is no stranger
- @ 5258: forces pull apart the network apart to create the illusion of
- @ 5255: system of tensile forces pull apart the network apart to create
- @ 5153: of a hyper industrious Artex artisan hooked on Hofstader. Related:Julya Sets
- @ 5152: work of a hyper industrious Artex artisan hooked on Hofstader. Related:Julya
- @ 5079: developed by Daniel White. This particular chaotic expulsion generates organic looking
- @ 5006: Forest - Andrew Carnie’s Neuroscientific artwork tracking the growth & organisation
- @ 4799: processes. Revisitingg Aspen Magazine on-line, particularly No9 which was edited by
- @ 4720: – Old School computational Op Art from 1979 by Mark McKernin.
- @ 4643: Art: Diagramming Microchips’ by Cara McCarty. You can find some images
- @ 4638: the out of print ‘Information Art: Diagramming Microchips’ by Cara McCarty.
- @ 4626: documenting PCBs from both an artistic and historical point of view
- @ 4452: and free software, the Make Art Festival, held in France in
- @ 4146: next instant. Occasionally amid the particles, shards, splatters and facets, molecular
- @ 4047: - The Cabinet of Cubic Partitions. landed: 1/29/2010 in: no boxes!
- @ 3923: to the well known ‘outsider’ artist Adolf Wölfli, incorporating his style
- @ 3852: based systems). The ‘Patterns by Partition’ collection derive two dimensional circular
- @ 3814: Erwin Keustermans - Patterns by Partition 8*8*8 & 9 (detail) -
- @ 3787: Dense, and highly detailed, multi-form particle structures were generated in Processing
- @ 2962: analogies and algorithmic models of Earth processes. In Generative Spaces: The
- @ 3019: event located at the Planetarium Artis, Amsterdam. ‘The title of the
- @ 3471: randomised anti-gravitorial composition. Digital Acoustic Cartography, by Daniel Rothaug, is an
- @ 3532: constraint. 22 musical compositions by artists from around the world, where
- @ 3600: hear the scattered techno of neo-Op-Art . Chris Scarborough’s drawing evokes
- @ 3764: to his Magnetic Architecture set. Particularly recommended are the photographs of
- @ 2939: at the festival conference as part of the Gardeners of the
- @ 2841: space in performative and audiovisual art, film, music and architecture. It
- @ 2797: off to the Netherlands to participate in Sonic Acts XIII –
- @ 2784: of Space [Spatial explorations in art, music, science and technology] Dataisnature
- @ 2430: the delicate movements of the parts and the sounds of the
- @ 2327: generate fields of Barchan dunes, particularly at its poles where the
- @ 2108: generated by Aeolian processes on earth (as well as other planets)
- @ 2093: Quarter - National Geographic & Martian Sand Dunes - Nasa Among
- @ 2036: post on Fabbing and Digital Art. Riding electromagnetic currents into the
- @ 2088: Dunes Barchan Sand Dunes, Empty Quarter - National Geographic & Martian
- @ 2019: system and encoding mechanism in art. ‘Means of Production’ – Serial
- @ 1988: Orchestra, by Olle Cornéer and Martin Lübcke.is a self-organizing evolutionary musical
- @ 1980: A compendium of bacterio-aesthetics and microbial-art. The Bacterial Orchestra, by Olle
- @ 1973: Soundwaves in Ice Sheets. Living science-art interfaces. A compendium of bacterio-aesthetics
- @ 1951: Margaret Noble is collecting sound art recordings [Anechoic pulses, glass Kalimbas
- @ 1917: Lang + Zimoun & 192.128.9.1 [LOGICWILBRKYOURHART] - Viktor Timofeev Geometric Calligraphy.
- @ 1810: in focus’. Documentary on the Op-Art exhibition, The Responsive Eye, New
- @ 1783: Drawings of architectural deconstructions with Op-Art-esque façades - Viktor Timofeev. Felice
- @ 1642: dysfunctional patterns of recent glitch art and imperfect design. The glitch
- @ 1338: arc and radial movements of particle physics and chaotic attractors are
- @ 1248: messages from an unseen world. Afsart’s set of Digital Slices documents
- @ 1140: Mass >> Serial Volume - Afsart & Polydesma 1800x - Studio
- @ 956: symptoms of diseases inflicted on earth resulting from environmental issues such
- @ 923: taking the form of a cartoon-like bird, plus multiple folding of
- @ 783: to such formations, and more particularly the generative processes behind them
- @ 727: the blog after scouring Google Earth, and other similar online services
- @ 706: landscapes and landforms of the Earth’. Its creator Kyle House, a
- @ 507: of biological lifeforms indulge in artistic licence to create organisms that
- @ 28: onto the geological era of Earth, Erwin Driessens, and Maria Verstappen
- lozano-hemmer.com/english/projects.ht...:
- @ 228: the student massacre in Tlatelolco. Participants who speak into a megaphone
- @ 311: a sensor that measures the heart rate of participants and the
- @ 314: measures the heart rate of participants and the resulting effect is
- @ 457: between two intercoms. As a participant speaks into an intercom, their
- @ 602: the voice of a previous participant, as an echo from the
- @ 638: records and responds to the heart rate of participants who hold
- @ 641: to the heart rate of participants who hold a sensor underneath.
- @ 697: an Interactive installation where the heart rates of members of the
- @ 730: waves and their interaction. To participate, insert your finger into one
- @ 769: solenoid which will hammer your heart rate onto the tank. [
- @ 851: one used in Lozano-Hemmer's public art installation "Body Movies". [ More
- @ 1073: of sensors that measured the heart rate of passers-by. Ten metal
- @ 1208: up in reaction to the participants’ positions, in such a way
- @ 1299: the piece, the system automatically starts recording and makes a video
- @ 1402: a sensor that detects the heart rate of participants. When someone
- @ 1405: detects the heart rate of participants. When someone holds the interface,
- @ 1435: rhythm of his or her heart. [ More ] ____________________________________________________________________________________ Third
- @ 1753: strange property exhibited by two particles that behave as one. The
- @ 1804: "Under Scan" is a public art installation based on self-representation. Thousands
- @ 2283: 9 "Frequency and Volume" enables participants to tune into and listen
- @ 2303: A computerised tracking system detects participants' shadows, which are projected on
- @ 2816: possible questions. A keyboard allows participants to log on to the
- @ 2845: "Vectorial Elevation" is an interactive art project originally designed to celebrate
- @ 2918: webpage was produced for every participant with images of their design
- @ 3002: shadows; the chat involved 30 artists and theorists from 17 countries
- @ 3019: at the project web site: hizome.org/artbase/2398/fear/ [ More ] ____________________________________________________________________________________ Displaced
- @ 3051: Wireless 3D sensors calculated where participants pointed to on the façade
- @ 3130: death, that is kept alive artificially through restoration, citation and simulation.
- @ 3141: A virtual reality installation allows participants to tour the first Able
- @ 3154: covers Palladio's Villa Rotonda. The participant’s motion controls the point of
- @ 3189: telepresence installation that invites two participants in remote sites to share
- @ 3215: to the movement of the participants. Two interactive stations are needed
- @ 3310: surveillance techniques employed by the Department of Homeland Security in the
- popaganda.com:
- @ 562: "Secrets of the Electric Illuminati" Art exhibitApril 1, 2010 - Last
- @ 518: - Bristol's City Museum, UK. "Art from the New World" US
- @ 263: Books from Gestalten on Street Art: Upcoming Release on 04.27.2010 Check
- @ 406: Under About Ron English, Events "Art from the New World" at
- @ 203: hickman» sexpod «shepard fairey» «stree artists» «the gefkens» «the reverend vince
- @ 132: in disneyland anymore"» «abraham obama» «art terrorist» australia barracuda «billboard liberator»
- @ 64: including the Museum of Contemporary Art in Paris and the Whitney
- @ 22: List All About Ron English Articles Books Documentaries and Movies Videos
- @ 10: Crimes of Ron English Home Art Gallery Billboards Contact Join the
- @ 3: Popaganda The Art and Crimes of Ron English
- kymissis.columbia.edu/:
- @ 498: of OFET technology with a particular emphasis on the fundamentals of
- @ 44: advancing the state of the art in electronics through the use
- @ 165: EL, and build your display! Participants will be able to design
- npr.org/:
- @ 1045: From The Top JazzSet Marian McPartland's Piano Jazz Mountain Stage Song
- @ 1035: Jazz & Blues Classical Browse Artists A-Z All Songs Considered From
- @ 1009: Art & Design --> Performing Arts Games & Humor Strange News
- @ 1004: Books Movies Pop Culture Food Art & Design --> Performing Arts
- @ 996: Business Technology Science Health Sports arts & life Books Movies Pop
- @ 916: WXPN more news more arts & life more music
- @ 725: Its Dull Season Culturetopia: Must-Listen Arts & Entertainment (Travelogue Edition) Food
- @ 651: For Apple: Passing Microsoft arts & life Television Walton Goggins:
- @ 571: Nation Itself Economy Jump Start: NUMMI Is Reborn For Electric
- @ 103: From The Top JazzSet Marian McPartland's Piano Jazz Mountain Stage Song
- @ 24: Search close home news arts & life music programs listen
- @ 1147: Help Contact Us Donate Our partner in public broadcasting
- nypl.org/audiovideo/patti-smith-conve...:
- @ 156: book of prose, the legendary American artist offers a never-before-seen glimpse of
- @ 223: album Horses to her visual art and poetry. Tickets go on
- @ 240: Patti Smith is a writer, artist and performer. Her seminal album
- @ 264: Gone Again and Trampin’. Her art work was first exhibited at
- @ 272: first exhibited at Gotham Book Mart in 1973, and she has
- @ 317: at the Institute of Contemporary Art, Philadelphia, Haus der Kunst, Munich
- @ 357: the Commandeur de l’Ordre des Arts et des Lettres, the highest
- @ 371: the French Republic to eminent artists and writers who have contributed
- @ 381: contributed significantly to furthering the arts throughout the world. Paul
- @ 442: Also of Interest Collections: The Heart of the Library Reproductions for
- creativeapplications.net/processing/u...:
- @ 42: are available via our advertising partner InFluAds Details InFluAds Contact Contact
- @ 175: domain shifting between polar and Cartesian geometries noticed that flowers make
- @ 181: geometries noticed that flowers make particularly interesting subjects for this transformation.
- creativereview.co.uk/cr-blog/2010/jul...:
- @ 40: exclusive discounts from our commercial partners in the CR Shop CR
- @ 445: Awards, Music More like this Articles: Work: zerodB.org website Feature: Crispin,
- @ 530: New Stüssy book celebrates cover art of UK label Greensleeves Subjects
- @ 539: Greensleeves Subjects Advertising (702) 100% Art (221) 31% Books (145) 20%
- @ 633: of use Sitemap Subjects Advertising Art Books Digital Graphic Design Illustration
- @ 650: Newspaper Photography Type / Typography Article Type Agenda Best In Book
- tuaw.com/2008/10/07/how-to-use-photos...:
- @ 1977: mandated that rewriting other people's articles is preferable to simply linking
- @ 1899: and that of a popular article that predated it.Namaste. ↓↑report 18
- @ 1872: I'll congratulate you on the article and concede that it is
- @ 1705: use the images for the article. I fairly credited Becky E
- @ 1667: two. I suppose I stole part two from somewhere, too, right?
- @ 1661: and it also includes tomorrow's part two. I suppose I stole
- @ 1563: mandated that rewriting other people's articles is preferable to simply linking
- @ 1552: WRITE the words in your article; I'm asking if AOL/TUAW has
- @ 1450: said 5:59PM on 10-07-2008 Fantastic article, although it bears a striking
- @ 1367: You're right. I'll delete this article straight away. ↓↑report 9 Isaac
- @ 1198: ago Related Articles From Our Partners Google Image Search gets a
- @ 1195: iPhone 423 days ago Related Articles From Our Partners Google Image
- @ 1152: / Post a Job› Related Articles From The Unofficial Apple Weblog
- @ 1016: soft brush and take out parts of the layer we applied
- @ 885: out" the brightness of lighter parts of your image with the
- @ 806: over about halfway, and you'll start to see your fake miniature
- @ 786: define how blurry the blurriest parts of the image get, and
- @ 773: blur is applied to that part of the image. Next, we
- @ 593: channel in the Channels palette. Martian! You've just created your depth
- @ 575: is) and drag about three quarters of the way to the
- @ 557: tinted red), draw a gradient starting in the middle of the
- @ 417: effect to. Landscapes work best, particularly aerial shots. I'll use a
- @ 380: is blurred out, and the farther away from that band of
- @ 232: define how blurry the blurriest parts of the image will get:
- @ 67: Blur tool for tilt-shift fakery (Part 1 of 2) by Robert
- pulpinternational.com/index.html?next...:
- @ 1935: us your best shot. Pulp art from around the web Things
- @ 1880: Use it to submit your art, text, header, and subhead. Your
- @ 1412: jokes about how a prostie’s heart might be considered an upgrade.
- @ 1382: of a priest with the heart of a prostitute. The priesthood
- @ 1357: of the hooker with a heart of gold, but this header
- @ 1231: museum of horrors which is part of a chain with outlets
- @ 1067: Clemens Klopfenstein, Sylvia Kristel, cover art, literature Femmes Fatales Jul 17
- @ 469: July 1976. Australia, Adam, magazine art, nudity, nudie mags Vintage Pulp
- @ 444: White, Barbara Moose, sexploitation, poster art, cinema Vintage Pulp Jul 19
- @ 401: supply. So next time you start up your SUV remember this
- @ 71: Letenre and his 1953 thriller Carte grise pour vienne, number 18
- @ 170: shoot us some data? France, Carte grise pour vienne, Jennifer filleule
- @ 184: M. Letenre, Aslan, Mik, cover art, literature Vintage Pulp Jul 20
- @ 257: from planet Eros come to Earth and re-animate the bodies of
- bbc.co.uk/nature/collections/p0085nk0...:
- @ 693: flowering plants native to large parts of Europe. Orchids Orchids are
- @ 709: plant families, found everywhere on Earth... Plants Plants form a kingdom
- @ 1038: shape and structure at a particular point... Egg layer Oviparous animals
- @ 1101: predator Trapping predators perform a particular type of ambush that involves
- @ 1227: of BBC sites Back to start of navigation Site links Earth
- @ 1232: start of navigation Site links Earth News Earth Explorers Feeds and
- @ 1234: navigation Site links Earth News Earth Explorers Feeds and Data Frequently
- wired.com/beyond_the_beyond/2010/08/a...:
- @ 771: Vogue The New Yorker The Sartorialist Vanity Fair Vogue Webmonkey W
- vimeo.com/13768202:
- @ 140: Franke 1 year ago 20. Marteria "Zum Koenig Geboren" Making Of
- @ 153: Franke 1 year ago 19. Marteria "Zum Koenig Geboren" by Daniel
- @ 206: 1 year ago 14. MAKING ART by Daniel Franke 1 year
- @ 456: significance of perspective in an art historical perspective; the work of
- @ 462: historical perspective; the work of art evades the gaze of the
- @ 683: days ago Nice video, and art form. I am guessing this
- @ 700: I hope to see more art and technology mesh like this,
- @ 715: technology mesh's with other traditional art forms. Daniel Franke 20 days
- @ 781: 13 Related collections Generator.x /OPEN videoart The Art Pack OpenFrameworks Experimental
- @ 783: collections Generator.x /OPEN videoart The Art Pack OpenFrameworks Experimental Space experimental
- @ 795: unusual Network Research Experimental Video Art Projection Mapping We Are ChopChop
- @ 803: We Are ChopChop CreativeApplications.Net Tech Art > VIRTUO See all 13
- blog.datasingularity.com/?cat=12:
- @ 10: about-contact Entries Tagged 'Processing' ↓ p5particles for Processing released May 26th,
- @ 26: Software I have finally released p5particles which is my particle systems
- @ 30: released p5particles which is my particle systems library for Processing. You
- @ 41: can view the project here: http://code.google.com/p/p5particles/ There is currently limited documentation
- @ 51: documentation and support. I will start improving it if others find
- @ 63: useful. No Comments Creating a Particle System in Processing: Re-examining our
- @ 80: Code, Java, Processing, Software This article is one in a series
- @ 87: one in a series of articles about particle systems in Processing.
- @ 89: a series of articles about particle systems in Processing. To view
- @ 105: click here. In the last article, we discussed forces and left
- @ 120: our technique for determining the particle’s position at each frame. It
- @ 135: was wildly inaccurate. In this article, I am first going to
- @ 186: I presented in the last article which gives us distance given
- @ 240: this equation to determine the particle position at each frame? Well,
- @ 330: point in time. In a particle system, there may be one
- @ 343: forces acting on a given particle at any time. On top
- @ 359: changing the acceleration of the particle in seemingly erratic ways. In
- @ 451: Let’s step away from our particle system for a very brief
- @ 560: o_0 but hopefully you are starting to see something here. In
- @ 591: like we did with our particles, we found velocity by adding
- @ 795: and examine the source: ArrayList particles; Particle a; float h =
- @ 796: examine the source: ArrayList particles; Particle a; float h = 0.2;
- @ 816: 600); stroke(0); strokeWeight(3); fill(150); smooth(); particles = new ArrayList(); a =
- @ 823: new ArrayList(); a = new Particle(); a.location = new PVector(width/2f, height/2f);
- @ 832: PVector(width/2f, height/2f); a.fixed = true; particles.add(a); } void draw() { background(255);
- @ 842: background(255); for (int i = particles.size()-1; i >= 0; i--) {
- @ 848: i >= 0; i--) { Particle p = (Particle)particles.get(i); // experiment
- @ 851: i--) { Particle p = (Particle)particles.get(i); // experiment w/ different friction
- @ 866: p, 5000f, 50f); if(!p.exist()) { particles.remove(i); } } } void mouseDragged()
- @ 873: } } void mouseDragged() { particles.add(new Particle()); } void applyDissipativeForce(Particle p,
- @ 874: } void mouseDragged() { particles.add(new Particle()); } void applyDissipativeForce(Particle p, float
- @ 877: { particles.add(new Particle()); } void applyDissipativeForce(Particle p, float friction) { PVector
- @ 890: PVector.mult(p.velocity, -friction); p.applyForce(f); } void applyAttractiveForce(Particle a, Particle b, float strength,
- @ 892: p.applyForce(f); } void applyAttractiveForce(Particle a, Particle b, float strength, float minDistance)
- @ 941: a.applyForce(dir); } } public class Particle { PVector location; PVector velocity;
- @ 954: float mass; boolean fixed; public Particle() { location = new PVector(mouseX,
- @ 1028: did was alter the integration part, added the h float at
- @ 1108: script experiment from the last article and compare it with the
- @ 1406: know, check out the Wikipedia article on Euler’s method. Why does
- @ 1604: step size, you would be farther away from the exact values.
- @ 1734: look believable. In the next article, I am going to show
- @ 1747: to implement the Runge-Kutta methods, particularly the Fourth Order Runge-Kutta method.
- @ 1779: Basics No Comments Creating a Particle System in Processing: Applying Forces
- @ 1794: Code, Java, Processing, Software This article is one in a series
- @ 1801: one in a series of articles about particle systems in Processing.
- @ 1803: a series of articles about particle systems in Processing. To view
- @ 1821: To recap, in my last article, I went over the basics
- @ 1828: went over the basics of particles and Newtonian motion in Processing.
- @ 1836: motion in Processing. In this article, I am going to explain
- @ 1858: effects of forces on our particles. I am also going to
- @ 1878: as segway into the next article. Forces When we last left
- @ 1885: When we last left our particle physics sandbox, it looked liked
- @ 1893: it looked liked this: ArrayList particles; int LIFESPAN = 120; //global
- @ 1915: 400); stroke(0); strokeWeight(3); fill(150); smooth(); particles = new ArrayList(); } void
- @ 1934: if (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i
- @ 1935: (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i =
- @ 1941: } for (int i = particles.size()-1; i >= 0; i--) {
- @ 1947: i >= 0; i--) { Particle p = (Particle)particles.get(i); if(!p.exist()) {
- @ 1950: i--) { Particle p = (Particle)particles.get(i); if(!p.exist()) { particles.remove(i); } }
- @ 1953: p = (Particle)particles.get(i); if(!p.exist()) { particles.remove(i); } } } public class
- @ 1959: } } } public class Particle { PVector location; PVector velocity;
- @ 1968: PVector velocity; int age; public Particle() { location = new PVector(mouseX,
- @ 2064: m/s^2 when viewing things on earth. This is because our measurements
- @ 2071: is because our measurements on earth usually involve relatively small and
- @ 2081: and close things [relative to earth's mass and space] and the
- @ 2089: space] and the difference b/w earth’s effects on these objects is
- @ 2194: then we will alter the Particle class to look like this:
- @ 2202: look like this: public class Particle { PVector location; PVector velocity;
- @ 2213: PVector acceleration; float mass; public Particle() { location = new PVector(mouseX,
- @ 2298: note the changes to the Particle class structure: The particle now
- @ 2302: the Particle class structure: The particle now keeps track of it’s
- @ 2311: of it’s own acceleration Each particle has a mass, which we
- @ 2334: We are now removing a particle from the system when it’s
- @ 2364: note about this method in particular: Notice that this is basically
- @ 2396: applying other forces to this particle. It may already have an
- @ 2516: apply a force to a particle. There are many types of
- @ 2631: added this global function: void applyDissipativeForce(Particle p, float friction) { PVector
- @ 2651: take the velocity of the particle that we are applying this
- @ 2688: examine the whole source: ArrayList particles; void setup() { size(400, 400);
- @ 2698: 400); stroke(0); strokeWeight(3); fill(150); smooth(); particles = new ArrayList(); } void
- @ 2717: if (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i
- @ 2718: (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i =
- @ 2724: } for (int i = particles.size()-1; i >= 0; i--) {
- @ 2730: i >= 0; i--) { Particle p = (Particle)particles.get(i); // experiment
- @ 2733: i--) { Particle p = (Particle)particles.get(i); // experiment w/ different friction
- @ 2744: coefficients applyDissipativeForce(p, 0.08); if(!p.exist()) { particles.remove(i); } } } void applyDissipativeForce(Particle
- @ 2749: particles.remove(i); } } } void applyDissipativeForce(Particle p, float friction) { PVector
- @ 2763: -friction); p.applyForce(f); } public class Particle { PVector location; PVector velocity;
- @ 2774: PVector acceleration; float mass; public Particle() { location = new PVector(mouseX,
- @ 3014: an attractive force on two particles. We will also have to
- @ 3022: also have to modify the Particle class: void applyAttractiveForce(Particle a, Particle
- @ 3025: modify the Particle class: void applyAttractiveForce(Particle a, Particle b, float strength,
- @ 3027: Particle class: void applyAttractiveForce(Particle a, Particle b, float strength, float minDistance)
- @ 3076: a.applyForce(dir); } } public class Particle { PVector location; PVector velocity;
- @ 3089: float mass; boolean fixed; public Particle() { location = new PVector(mouseX,
- @ 3161: a fixed property. If the Particle is fixed, it is not
- @ 3182: the applyAttractiveForce(), for the most part, it follows our two equations
- @ 3224: large a force and the particles will go flying off. Also
- @ 3241: but opposite” forces on each particle: if (!b.fixed) b.applyForce(dir); if (!a.fixed)
- @ 3272: and view the source: ArrayList particles; Particle a; void setup() {
- @ 3273: view the source: ArrayList particles; Particle a; void setup() { size(800,
- @ 3284: 600); stroke(0); strokeWeight(3); fill(150); smooth(); particles = new ArrayList(); a =
- @ 3291: new ArrayList(); a = new Particle(); a.location = new PVector(width/2f, height/2f);
- @ 3303: = true; a.mass = 5.0; particles.add(a); } void draw() { background(255);
- @ 3313: background(255); for (int i = particles.size()-1; i >= 0; i--) {
- @ 3319: i >= 0; i--) { Particle p = (Particle)particles.get(i); // experiment
- @ 3322: i--) { Particle p = (Particle)particles.get(i); // experiment w/ different friction
- @ 3347: p, 500f, 50f); if(!p.exist()) { particles.remove(i); } } } void mouseDragged()
- @ 3354: } } void mouseDragged() { particles.add(new Particle()); } void applyDissipativeForce(Particle p,
- @ 3355: } void mouseDragged() { particles.add(new Particle()); } void applyDissipativeForce(Particle p, float
- @ 3358: { particles.add(new Particle()); } void applyDissipativeForce(Particle p, float friction) { PVector
- @ 3371: PVector.mult(p.velocity, -friction); p.applyForce(f); } void applyAttractiveForce(Particle a, Particle b, float strength,
- @ 3373: p.applyForce(f); } void applyAttractiveForce(Particle a, Particle b, float strength, float minDistance)
- @ 3422: a.applyForce(dir); } } public class Particle { PVector location; PVector velocity;
- @ 3435: float mass; boolean fixed; public Particle() { location = new PVector(mouseX,
- @ 3508: is pretty easy to understand. Particle a is the center red
- @ 3514: a is the center red particle. We set it’s location to
- @ 3537: a bigger mass. For every particle, we are applying both the
- @ 3549: force and the attraction to particle a: applyDissipativeForce(p, 0.01); applyAttractiveForce(a, p,
- @ 3574: our technique for determining a particle’s position at each frame, you
- @ 3921: on, our calculations of the particle’s positions will become farther and
- @ 3925: the particle’s positions will become farther and farther away from the
- @ 3927: positions will become farther and farther away from the truth. The
- @ 3956: in general. In the next article, I am going to attempt
- @ 3984: here to view the next article of this series —> References
- @ 4001: Code No Comments Creating a Particle System in Processing: Beginning with
- @ 4007: System in Processing: Beginning with Particle Animation March 12th, 2010 —
- @ 4029: the task of creating a particle system from scratch designed to
- @ 4068: to write this series of articles to document my learning process
- @ 4085: this library. For this first article, I am going to start
- @ 4090: article, I am going to start with the most basic concepts
- @ 4099: basic concepts of dealing with particles in Processing. No differential equations,
- @ 4128: users, but I want to start off simple to establish a
- @ 4154: complete beginner, I suggest you start here and come back when
- @ 4171: Processing. The “Hello World!” of particle physics The first thing we
- @ 4188: draw and move a single particle. First check out this code
- @ 4205: and closely examine the source: //particle's screen coordinates float x, y;
- @ 4211: screen coordinates float x, y; //particle's velocity //velocity is change in
- @ 4234: smooth(); //set position and velocity resetParticle(); } void draw() { background(255);
- @ 4242: draw() { background(255); //draw the particle with diameter of 10 ellipse(x,
- @ 4287: mouse click void mousePressed() { resetParticle(); } void resetParticle() { //reset
- @ 4290: mousePressed() { resetParticle(); } void resetParticle() { //reset the particle to
- @ 4294: void resetParticle() { //reset the particle to the middle of the
- @ 4349: the center point of the particle in screen coordinates. Hopefully you
- @ 4378: as the velocity of our particle. As we remember in high
- @ 4456: background(255); then we draw the particle as an ellipse at it’s
- @ 4538: now non-uniform speed of the particle: float x, y; float vx,
- @ 4562: smooth(); //set position and velocity resetParticle(); } void draw() { background(255);
- @ 4570: draw() { background(255); //draw the particle with diameter of 10 ellipse(x,
- @ 4642: mouse click void mousePressed() { resetParticle(); } void resetParticle() { //reset
- @ 4645: mousePressed() { resetParticle(); } void resetParticle() { //reset the particle to
- @ 4649: void resetParticle() { //reset the particle to the middle of the
- @ 4701: time goes on and the particle moves faster and faster. Kind
- @ 4736: Newtonian motion! Abstraction and Multiple Particles Now that we can create
- @ 4743: that we can create one particle with ease, let’s create many.
- @ 4762: an abstraction of what a particle is then turn that into
- @ 4802: and learn about the code. Particle[] particles; int NUM_PARTICLES = 100;
- @ 4803: learn about the code. Particle[] particles; int NUM_PARTICLES = 100; void
- @ 4805: the code. Particle[] particles; int NUM_PARTICLES = 100; void setup() {
- @ 4823: void draw() { background(255); if (particles != null) { for (int
- @ 4834: i = 0; i < NUM_PARTICLES; i++) { particles[i].exist(); } }
- @ 4837: i < NUM_PARTICLES; i++) { particles[i].exist(); } } } void mousePressed()
- @ 4844: } } void mousePressed() { particles = new Particle[NUM_PARTICLES]; for (int
- @ 4847: mousePressed() { particles = new Particle[NUM_PARTICLES]; for (int i = 0;
- @ 4855: i = 0; i < NUM_PARTICLES; i++) { particles[i] = new
- @ 4858: i < NUM_PARTICLES; i++) { particles[i] = new Particle(); } }
- @ 4861: i++) { particles[i] = new Particle(); } } public class Particle
- @ 4866: Particle(); } } public class Particle { float x, y; float
- @ 4878: vy; float ax, ay; public Particle() { x = mouseX; y
- @ 4950: have done is created a Particle class which contains references to
- @ 4967: can have an array of Particles and update those in a
- @ 5107: works after the code: ArrayList particles; int LIFESPAN = 120; //global
- @ 5129: 400); stroke(0); strokeWeight(3); fill(150); smooth(); particles = new ArrayList(); } void
- @ 5148: if (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i
- @ 5149: (abs(mouseX-pmouseX) > 0.0001) { particles.add(new Particle()); } for (int i =
- @ 5155: } for (int i = particles.size()-1; i >= 0; i--) {
- @ 5161: i >= 0; i--) { Particle p = (Particle)particles.get(i); if(!p.exist()) {
- @ 5164: i--) { Particle p = (Particle)particles.get(i); if(!p.exist()) { particles.remove(i); } }
- @ 5167: p = (Particle)particles.get(i); if(!p.exist()) { particles.remove(i); } } } public class
- @ 5173: } } } public class Particle { PVector location; PVector velocity;
- @ 5182: PVector velocity; int age; public Particle() { location = new PVector(mouseX,
- @ 5259: and etc. Check out this article on matrix math if you
- @ 5433: too boring. In the next article, I am going to talk
- @ 5473: here to view the next article of this series —> 2
- @ 5721: on these when it is started. The nice thing about this
- @ 5771: So you don’t have to restart the server while developing your
- @ 6588: can hit the ‘r’ to start recording into a video output
- @ 6781: Overflow Radioshack Infrared Receiver Arduino p5particles for Processing released Creating a
- @ 6787: for Processing released Creating a Particle System in Processing: Re-examining our
- @ 6797: our Integration Technique Creating a Particle System in Processing: Applying Forces
- @ 6805: Processing: Applying Forces Creating a Particle System in Processing: Beginning with
- @ 6811: System in Processing: Beginning with Particle Animation DSO nano and synth
- @ 6906: Comments benjamin on Creating a Particle System in Processing: Beginning with
- @ 6912: System in Processing: Beginning with Particle Animation Philipp on Creating a
- @ 6918: Animation Philipp on Creating a Particle System in Processing: Beginning with
- @ 6924: System in Processing: Beginning with Particle Animation Marzia on Parallax RFID
- blog.datasingularity.com/?p=72:
- @ 272: can hit the ‘r’ to start recording into a video output
- @ 550: Overflow Radioshack Infrared Receiver Arduino p5particles for Processing released Creating a
- @ 556: for Processing released Creating a Particle System in Processing: Re-examining our
- @ 566: our Integration Technique Creating a Particle System in Processing: Applying Forces
- @ 574: Processing: Applying Forces Creating a Particle System in Processing: Beginning with
- @ 580: System in Processing: Beginning with Particle Animation DSO nano and synth
- @ 675: Comments benjamin on Creating a Particle System in Processing: Beginning with
- @ 681: System in Processing: Beginning with Particle Animation Philipp on Creating a
- @ 687: Animation Philipp on Creating a Particle System in Processing: Beginning with
- @ 693: System in Processing: Beginning with Particle Animation Marzia on Parallax RFID
- lowbrowtarot.com/artists.html:
- @ 132: Kahn Tarot Deck Card BackDaniel Martin Diaz
- @ 3: THE ARTISTSContact the Gallery Director for availability
- lightwell.com.au/index.php:
- @ 226: Place, Sydney, Sept 09 An art installation comprising 116 bird cages
- @ 9: projectsInteractive environmentsMulti-screen programsTouchscreensVideo programsLarge-scale projectionsPublic ArtInteractive environments Multi-screen programs Touchscreens Video
- digicult.it/en/:
- @ 3206: colleague...Luigi Pagliarini / Translation: Giulia Artioli Read the Digicult archive APPROFONDIMENTI-->
- @ 3176: BY SCIENCE. SCIENTIFIC IMAGING AS ARTA team of researchers from the
- @ 3071: libri, alla...Laura Colini MUTAMORPHOSIS: CHALLENGING ARTS AND SCIENCEFrom 8th to 11th
- @ 3002: of N03! talks about his artistic...Annamaria Monteverdi KOAN01+OOTCHIO: LANDSCAPES FROM A
- @ 2970: group whose productions examine...Robin Peckham SMART URBAN STAGE - THE MEDIA
- @ 2943: democracy? The new stunning Audiovisual Art work, and future live cinema
- @ 2814: sections, each an interactive, multimedia artwork. What makes this project unique
- @ 2804: Digital Creatures is a dispersed net-artwork/digital poem built from 40 sections,
- @ 2737: to Do-It-With-Others; digital culture & art offer potentials to connect shared
- @ 2599: intimate piece in which the artist emphasizes her controversial relationship with
- @ 2588: at the end of an art-residency at Nimk about conflict, an
- @ 2496: discovered. Gebhard Sengmüller is an artist working in the field of
- @ 2427: electronic composer Mira Calix, video artists Flat-e and sound designer Dave
- @ 2410: MY SECRET HEART My Secret Heart is a new commission by
- @ 2407: a rose blooming MY SECRET HEART My Secret Heart is a
- @ 2313: di noi: Intervista dalla piattaforma Art Manager Parlano di noi: Intervista
- @ 2304: Digimag: Sponsored by: advertise & partnerships... SEARCH NEWSLETTER Parlano di noi:
- @ 2254: be soft- or hardware); incite participation and/or collaboration. The winner(s) of
- @ 2228: promoting radical, creative and innovative art works and projects that: are
- @ 2174: of the histories of media art, science and technologyApplication Deadline: 30
- @ 2136: art history, contemporary art practice, art theory, history of science, history
- @ 2134: disciplines including art history, contemporary art practice, art theory, history of
- @ 2131: a range of disciplines including art history, contemporary art practice, art
- @ 2110: on the Histories of Media Art, Science and Technology. The conference
- @ 2094: call for projects The Media Art Histories Board invites applications to
- @ 2086: Deadline: 12 July 2010 MEDIA ART HISTORIES MEETING: call for projects
- @ 2076: in the network of visual art and new media. Application Deadline:
- @ 1995: a vision for new media art, who will further expand the
- @ 1984: The NIMk is seeking an artistic generalist with knowledge of and
- @ 1977: Slideshow. NIMK AMSTERDAM: call for general/artistc director The NIMk is seeking
- @ 1907: influence what we see? What part does technology play in shaping
- @ 1871: for the synthesis of the arts. Traditional crafts will be combined
- @ 1859: the Direktorenhaus opened a new art space in Berlin, an experimental
- @ 1845: Cinema - Audiovideo - Video Art Graphic Design Direcktorenhaus Berlin Last
- @ 1810: This exhibition focuses on a particular film genre in which footage
- @ 1779: days in June. Sonars diverse artistic offer splits between the Sonar
- @ 1764: the advanced music and multimedia art festival, takes place in Barcelona
- @ 1749: June.New Media - Robotics - Artificial Intelligence Electronica Sonar 2010 -
- @ 1693: Pete Tong, among many others artists, musicians and audiovisualsElectronica - Clubbing
- @ 1522: extend into the third dimensionVideo Art - Experimental Cinema - Audiovisual
- @ 1483: photo-installationAudiovideo - Live Media Video Art Moving Images - until 31/10/10
- @ 1467: parts by Messmatik. The first part will be presented in HBgalerie
- @ 1462: a solo exhibition in two parts by Messmatik. The first part
- @ 1438: programming lenguagesSoftware Art - Generative Art Live Media Messmatik: Luminokinetika -
- @ 1435: that needs audiovisual programming lenguagesSoftware Art - Generative Art Live Media
- @ 1418: Andre Sier works as intermedia artist and programmer. He studied philosophy,
- @ 1403: Design - Interaction Design Software Art Ape-X: Andre Sier Solo Exhibition
- @ 1325: Media - Public Art Hacktivism Arts Catalyst: Arctic Perspective - 18/06-10/10/10
- @ 1323: - Social Media - Public Art Hacktivism Arts Catalyst: Arctic Perspective
- @ 1311: artists, architects, designers from European art and design academiesHyper Architecture -
- @ 1306: feature a selection of graduated artists, architects, designers from European art
- @ 1226: Art - Networking - Video Art - Free Software Social Media
- @ 1221: numerosi altri media si scontranoNet Art - Networking - Video Art
- @ 1190: 08-24/07/10 - Los Angeles 48 artisti da oltre 18 paesi si
- @ 1181: Art - Video Art Net Art Feed Back - 08-24/07/10 -
- @ 1179: unique eventsPerforming Art - Video Art Net Art Feed Back -
- @ 1176: the protagonist of unique eventsPerforming Art - Video Art Net Art
- @ 1141: Software - Open Source Performing Art Teatro a corte - 08-25/07/10
- @ 1085: Gent, Belgium, the New Technological Art Award Foundation Liedts-Meesen goes to
- @ 1076: third biennale for contemporary technological art in the Zebrastraat, Gent, Belgium,
- @ 1062: Art - Hacktivism New Media Artplatform Zebrastraat - Gent At the
- @ 1057: as improvisational playersNetworking - Hack Art - Hacktivism New Media Artplatform
- @ 1038: Grenzfurthner, member of the Austrian art collective monochrom, as the Game
- @ 1016: Art - Video Clip Hack Art Google Wars: An Island of
- @ 1011: of art collector, Han NefkensVideo Art - Video Clip Hack Art
- @ 1007: Prize, with the support of art collector, Han NefkensVideo Art -
- @ 969: beautyNew Media - Design Video Art Pipilotti Rist: Friendly Game -
- @ 924: and discussionHyper Architecture - Public Art - Design New Media Jenny
- @ 895: della Musica Auditorium will host smart urban stage, an innovative road
- @ 876: Central and South American rainforestSound Art - Experimental Hyper Architecture Whispering
- @ 850: talks in August which are part of the Whispering in the
- @ 833: Art - Experimental Cinema Sound Art Whispering in the leaves -
- @ 828: of Ingvild Goetz from MunichVideo Art - Experimental Cinema Sound Art
- @ 817: acquisitions in video and media art from the internationally renowned collection
- @ 805: ZKM Museum of Contemporary Art shows a representative selection of
- @ 787: Performing Art - Audiovideo Video Art Fast Forward 2 - until
- @ 783: Strijp-S in EindhovenMusic - Performing Art - Audiovideo Video Art Fast
- @ 770: draw an international group of artists, architects, performers, dancers, writers and
- @ 759: second edition of the cross-disciplinary arts festival Flux/S will once again
- @ 747: Cinema - Graphic Animation Performing Art Flux/S - 09-12/09/10 - Eindhoven
- @ 739: to architecture and urban spaceVideo Art - Experimental Cinema - Graphic
- @ 729: to discuss the field of artistic film and video related to
- @ 698: Art - Software Art Video Art Urban Images Symposium - 09-10/09/10
- @ 715: an internationally renowned group of artists and scholars for a two-day
- @ 696: and societyGame Art - Software Art Video Art Urban Images Symposium
- @ 693: games on art and societyGame Art - Software Art Video Art
- @ 690: the influence of games on art and societyGame Art - Software
- @ 677: games culture together. In an artistic, playful yet serious manner, Space
- @ 670: Netherlands Media Art Institute brings art and games culture together. In
- @ 667: Space Invaders, the Netherlands Media Art Institute brings art and games
- @ 653: Light Art - Tehnology Game Art Space Invaders - until 6/11/10
- @ 649: moat at nightDesign - Light Art - Tehnology Game Art Space
- @ 639: their fascinating interventions of light art on the Oker River moat
- @ 620: until 30/09/10 - Braunschweig Seven artists will sharpen the awareness of
- @ 520: festival in Europe on audiovisual art and practices. It took place
- @ 238: Technology | Theories | Video Art | Video Clip | Virtual
- @ 226: | Software Art | Sound Art | Surveillance | Techno Theatre
- @ 223: Report | Robotics | Software Art | Sound Art | Surveillance
- @ 216: Market | P2p | Performing Art | Report | Robotics |
- @ 207: New Media | New Media Art | New Media Market |
- @ 193: | Locative Media | Net Art | Net Sex | Networking
- @ 166: | Graphic Design | Hack Art | Hacking | Hacktivism |
- @ 160: | Game Art | Generative Art | Graphic Design | Hack
- @ 157: | Free Software | Game Art | Generative Art | Graphic
- @ 139: | Clubbing | Connected Live Art | Design | Digital Animation
- @ 133: | Audiovisual Design | Bio Art | Clubbing | Connected Live
- @ 124: . . . Art+science | Artificial Intelligence | Audiovideo | Audiovisual
- @ 122: . . . . . Art+science | Artificial Intelligence | Audiovideo
- digicult.it/en/2009/DecodeDigitalDesi...:
- @ 1882: Comment Text* : advertise & partnerships: Sponsored by: DIGICULT FACEBOOK FAN
- @ 1822: we post, borders we cross. Artists and designers are drawing on
- @ 1795: and tools for works of art and design that are multi-sited
- @ 1773: constantly. The internet has given artists and designers new platforms for
- @ 1727: The pieces are immersive, inviting participants to interact within a virtual
- @ 1677: with feedback and coding, both artwork and human can respond, react
- @ 1656: of reciprocal relationships between digital artwork and the viewer. Using a
- @ 1575: recent addition to the creative arts community. They develop and craft
- @ 1554: beauty of algorithms and the artistic potential of computational systems. Programmers,
- @ 1535: both a new material that artists can use and an inspiration
- @ 1498: to our physical presence; "Network" charts or reworks the traces we
- @ 1459: programming and performance, creator and participant. Decode looks at three current
- @ 1429: by a single programmer, to art that encompasses a global collective
- @ 1384: a 'live' element into contemporary artworks. Some works exist in a
- @ 1362: is providing new tools for artists and designers. Innovative, often interactive,
- @ 1341: the stairs to the National Art Library (Staircase L), as well
- @ 1206: of moving image and interactive arts. The exhibition explores three themes:
- @ 1188: V&A and onedotzero, a contemporary arts organisation operating internationally with a
- @ 1148: includes works by established international artists and designers such as Daniel
- @ 1058: Sier works as an intermedia artist and a programmer. He is
- @ 1015: games culture together. In an artistic, playful yet serious manner, Space
- @ 1008: Netherlands Media Art Institute brings art and games culture together. In
- @ 1005: Game Environment the Netherlands Media Art Institute brings art and games
- @ 996: COMPUTER GAME ENVIRONMENTIn Space Invaders: Art in the Computer Game Environment
- @ 988: . . . . SPACE INVADERSART IN THE COMPUTER GAME ENVIRONMENTIn
- @ 961: electronic systems in cultural and artistic fields. . . . .
- @ 882: FUTURA 2007The eighteenth edition of ArtFutura will be taking place in
- @ 876: . . . . . ART FUTURA 2007The eighteenth edition of
- @ 839: software, a new generation of artists and designers are turning to
- @ 777: FRANCHINOKinetoh è il progetto di arte generativa di Fabio Franchino, un
- @ 740: experimental digital art contest, will start this weekend in Turin .
- @ 737: systems inside the experimental digital art contest, will start this weekend
- @ 695: course of their residence, the artists generate... . . . .
- @ 676: Quartier21, invite from 2004 two artists per year to stay for
- @ 671: Medienturm, in cooperation with the Quartier21, invite from 2004 two artists
- @ 622: media. Whether its about media art, controlling lighting systems, interactions with
- @ 614: 08NODE08 is dedicated to the arts of digital media. Whether its
- @ 542: . . . . ULTIMI ARTICOLI CORRELATI OFFF 10TH ANNIVERSARYAfter Barcelona,
- @ 513: SOFTWARE ART GENERATIVE ART INTERACTION DESIGN .
- @ 510: GRAPHIC DESIGN SOFTWARE ART GENERATIVE ART INTERACTION
- @ 238: Technology | Theories | Video Art | Video Clip | Virtual
- @ 226: | Software Art | Sound Art | Surveillance | Techno Theatre
- @ 223: Report | Robotics | Software Art | Sound Art | Surveillance
- @ 216: Market | P2p | Performing Art | Report | Robotics |
- @ 207: New Media | New Media Art | New Media Market |
- @ 193: | Locative Media | Net Art | Net Sex | Networking
- @ 166: | Graphic Design | Hack Art | Hacking | Hacktivism |
- @ 160: | Game Art | Generative Art | Graphic Design | Hack
- @ 157: | Free Software | Game Art | Generative Art | Graphic
- @ 139: | Clubbing | Connected Live Art | Design | Digital Animation
- @ 133: | Audiovisual Design | Bio Art | Clubbing | Connected Live
- @ 124: . . . Art+science | Artificial Intelligence | Audiovideo | Audiovisual
- @ 122: . . . . . Art+science | Artificial Intelligence | Audiovideo
- geraldhabarth.com/wvu/em/inter/fa10/p...:
- @ 27: characteristics of Postmodernism and Postmodernist art. Readings: Art in the
- @ 30: and Postmodernist art. Readings: Art in the Electroinc Age (handout)Postmodernism
- @ 37: the Electroinc Age (handout)Postmodernism (wikipedia)Postmodernist Art (wikipedia)The PoMo page Description:
- @ 63: terms of developments in the art world, as well changes in
- @ 118: too is the belief that art attains its highest potential and
- @ 131: the exploration of formalism (i.e. art that is about the language
- @ 143: aesthetics - abstraction) and that art that excells in this can
- @ 193: And in the case of art, it promotes a more direct
- @ 256: not apply absolutely to all artworks or attitudes on either side
- @ 451: Incoherence (of mind, purpose, meaning) Art about itself Art about mythology,
- @ 454: purpose, meaning) Art about itself Art about mythology, history, stories, fantasy,
- @ 506: Activist, engaged Linear Non-linear Single Artist Collaboration, collaborative, groups Ego, individuality
- @ 532: traditional mediums/processes Photography, Video, Digital Art, Performance Concrete, solid Immaterial /
- @ 567: Universal Experience Personal Experience Object art, craft oriented Conceptual art, process
- @ 571: Object art, craft oriented Conceptual art, process art Solid / Monolithic
- @ 573: craft oriented Conceptual art, process art Solid / Monolithic Tissue /
- @ 627: end Result Process oriented Original artwork Documentation, copies Actual Ephemeral Whole
- @ 633: Documentation, copies Actual Ephemeral Whole Parts / pieces Integrated Fragmentation Linear,
- @ 713: be an illustration of Postmodern art; rather, it should grow and
- thenation.com/article/154780/wikileak...:
- @ 22: Help Politics World Books & Arts Economy Environment Activism Society 50
- @ 32: 50 Progressives Movements Social Justice Arts and Entertainment Books and Ideas
- @ 131: 15, 2010 | This article appeared in the October 4,
- @ 559: hacking to political causes, in particular, to the principle that information-hoarding
- @ 568: that information-hoarding is evil—and, as Stewart Brand said in 1984, "Information
- @ 1058: My crime is that of outsmarting you, something that you will
- @ 1115: the first time. In the quarter-century since, that basic hacker philosophy
- @ 1474: by our typical way of charting the political landscape. They have
- @ 1596: as individual versus institution. In particular, Assange holds that truth, creativity,
- @ 1829: 15, 2010 | This article appeared in the October 4,
- @ 1881: Now If you like this article, consider making a donation. make
- @ 1891: make a donation Reprint this article. Click here for rights and
- @ 1957: in general and Wikileaks in particular will do much to fill
- @ 2261: cite your real-world examples, to start with the Afghan war and
- @ 2330: rightly should be from every quarter. These movements are like the
- @ 2997: it is mis-characterized in this article (and the same way your
- @ 3112: By the time international hacktivists started seeing successful results from the
- @ 3412: Chicago Elementary School Building (Activism, Charter Schools, Education Reform) Tea Party
- @ 3417: Charter Schools, Education Reform) Tea Party Values (Religion, Conservatives and the
- @ 3426: and the American Right, Tea Party) LGBT Students Debate Coming Out
- @ 3506: On Christine O'Donnell, the Republican/Tea Party Candidate for Senator From Delaware
- @ 3544: of the Twentieth Century Tea Party Values GOP Filibusters 'Don't Ask,
- @ 3602: Can the Grand Old (Tea) Party Win in November? Right Promo
- @ 3654: Community Politics World Books & Arts Economy Environment Activism Society Advertise
- kickstarter.com/projects/deffekt/writ...:
- @ 1547: hope you agree... Welcome to Kickstarter! Thanks! All done.
- @ 1421: the worlds of music, film, art, technology, design, food, publishing and
- @ 1471: All or nothing funding. On Kickstarter, a project must reach its
- @ 1389: Inc. What is Kickstarter? Close Kickstarter is the largest funding platform
- @ 1387: 2010 Kickstarter, Inc. What is Kickstarter? Close Kickstarter is the largest
- @ 1383: Privacy Policy Contact © 2010 Kickstarter, Inc. What is Kickstarter? Close
- @ 1358: Kickstarter on Facebook Connect with Kickstarter Follow on Twitter Read our
- @ 1353: week. Comment Your email address... Kickstarter on Facebook Connect with Kickstarter
- @ 1337: Technology Theater Writing & Publishing Kickstarter's weekly newsletter Get awesome projects
- @ 1318: data too. writtenimages.net Browse Categories Art Comedy Comics Dance Design Fashion
- @ 1299: designer (in spe), filmmaker and videoartist, musician. loves the piano and
- @ 1287: process, loves graphic design and artbooks.. Peter Bichsel computer scientist and
- @ 3: What is Kickstarter? We’re the largest funding platform
- @ 17: in the world. Learn more! Kickstarter Discover great projects Start your
- @ 21: more! Kickstarter Discover great projects Start your project Blog FAQ Sign
- @ 34: in Written Images Project by Martin Fuchs Don't want to forget?
- @ 92: check out "Written Images", a Kickstarter project by Martin Fuchs. http://kck.st/f8VmYw”
- @ 95: Images", a Kickstarter project by Martin Fuchs. http://kck.st/f8VmYw” Embed Put the
- @ 121: with more than 70 media artists and developers from across the
- @ 248: generative design 42 programmed artworks with individual descriptions and artist
- @ 253: artworks with individual descriptions and artist information (four subsequent page spreads
- @ 260: (four subsequent page spreads per artwork) Index, Tools, and programming language
- @ 274: information about the copy and artworks (render time, cpu and memory
- @ 293: Gray Area Foundation for the Arts (GAFFTA) and our printing partner
- @ 298: Arts (GAFFTA) and our printing partner Druckerei Dietrich, we're able to
- @ 321: than 25%. (Backers paying on kickstarter will have a record from
- @ 335: deduct it from their taxes.) Artists: 386dx25, Antoni Kaniowski, Ariel Malka,
- @ 397: Rui Madeira, Ryan Alexander, Ryland Wharton, Sansumbrella, sojamo, Stefano Maccarelli, Szymon
- @ 405: Stefano Maccarelli, Szymon Kaliski, Victor Martins, W:Blut, William Lindmeier, zenbullets Jury:
- @ 475: handicraft or digitally altered, the artist always creates out of his
- @ 552: the point at which generative art starts and helps generating products
- @ 553: point at which generative art starts and helps generating products with
- @ 651: them to produce an ever-changing art book. Image generating programs interpret
- @ 748: displays media and graphical design artists’ and programmers' work solely created
- @ 904: in the book. Additionally, every artist and workpiece will be presented
- @ 944: writer and blogger. Project by: Martin Fuchs and Peter Bichsel Supported:
- @ 955: Gray Area Foundation for the Arts, Druckerei Dietrich Thanks to: Processing,
- @ 1050: Sairah Rizvi, Amit Bapat, Leslie Marticke, Josette Melchor Project location: Basel,
- @ 1106: one-of-a-kind single postcard (select the artist of your choice, includes shipping
- @ 1131: of 42 postcards (all 42 artists represented, includes shipping for Europe
- @ 1260: US) 0 BACKERs Project By Martin Fuchs Basel, Switzerland Send Message
- @ 1266: Fuchs Basel, Switzerland Send Message Martin Fuchs architectural draftsman and postindustrial
- longreads.com:
- @ 21: Gawker, This Land Press All Article Lengths 15 Minutes 30 Minutes
- @ 34: 60 Minutes 120 Minutes All Article Lengths All Article Lengths <
- @ 37: Minutes All Article Lengths All Article Lengths < 15 Minutes (<
- @ 279: and, importantly, in the wildlife department, the agency responsible for animals'
- flickr.com/photos/coop666/sets/721576...:
- @ 236: Typography, Signpainting and the Graphic Arts" You Sign in | Create
- @ 182: Typography, Signpainting and the Graphic Arts Thumbnails Detail Map Comments 723
- lookbook.nu/#more:
- @ 741: LANVIN LEVI'S LOUIS VUITTON MAISON MARTIN MARGIELA MANGO MARC BY MARC
- @ 234: from Singapore but now in Jakarta 70 comments / 10 /
- @ 574: Hype Matteo B. on black hearts on my shorts. Girl, your
- @ 684: HOMME DKNY DKNY JEANS DR. MARTENS DRIES VAN NOTEN DRKSHDW FILIPPA
- edendale.typepad.com/weblog/2010/12/b...:
- @ 6000: Festival Margaret Brown Marshall Curry Martin Scorsese Matt Dentler Maysles Brothers
- @ 5813: Distribution Doc Lisboa Doc NYC Documentart Subjects Documentary Channel Documentary Ethics
- @ 5490: Sebastian Junger on Their Unlikely Partnership and What They Learned From
- @ 5430: and the Documentary Golden Age Part Two: Courier and Libresco Talk
- @ 4651: sell-out; He's achieved what every artist wants - notoriety and to
- @ 4603: - thanks for a great article and interview! @Ashkhen - you
- @ 4580: documentary or a mockumentary it starts the right kind of conversations.
- @ 4562: it for you? Is it art if people pay millions to
- @ 4550: done in collaboration? Is it art if you pay people to
- @ 4542: has a message? Is it art if its done in collaboration?
- @ 4534: what art is. Is it art if it has a message?
- @ 4530: about the nature of what art is. Is it art if
- @ 4511: the inside look at grafffitti art. Mr. Brainwash came out of
- @ 4438: at 04:16 PM "anonymous British artist" He's not anonymous, he's pseudonymous.
- @ 4395: the day? WHO decides which art is worthwhile? Freaky how easily
- @ 4385: that's all that's important...What IS art, at the end of the
- @ 4273: wit is what sets him apart and was very evident in
- @ 4266: that he brings to the artform. His wit is what sets
- @ 4243: Australia, for years, watching local artists trying to be the new
- @ 4212: out so many works of art, mixing pop culture, social themes,
- @ 4195: lots of footage of street artists. But when he suddenly transforms
- @ 4127: the visual medium of street art ... and , more to
- @ 4088: issue is that Mr Brainwash's art is so obviously linked to
- @ 4054: At least he made an art object that most anyone can
- @ 3977: semi-psychopathic genius. This is interpretive art and I'm willing to bet
- @ 3756: MBW interviews I've digested: as light-hearted distraction and 3-card monte. In
- @ 3694: in Armenia, cos here our streetartist have faced police, and may
- @ 3590: I think the quantity of art he had produced with assistance
- @ 3561: think the footage of street artists working are mostly real but
- @ 3529: it more, and respect the artists' intent and skills. Posted by:
- @ 3515: I know more about this art than ever before... I think.
- @ 3499: foil to good and sincere artists like Banksy and -- I
- @ 3467: the secret heart of every art aficionado or -nada: that maybe
- @ 3464: that lies at the secret heart of every art aficionado or
- @ 3387: quite an education in street art. If Banksy really did craft
- @ 3346: loved it.Also Banksy at Bristol art museum,after which I smiled for
- @ 3336: as any film/docu,maybe a little artistic licence(I don't care).But I loved
- @ 3283: world and dynamics of street art itself. Any thoughts on this
- @ 3267: upon the world of street art contains its own universe of
- @ 3213: his obsessive filming, since that part of his mind (possibly the
- @ 3014: and therefore I like their art better - but that's just
- @ 2988: do you like Mr. Brainwashe's art? What does it say to
- @ 2967: the sudden lose their essential art-ness? Hours of Thierry's film, documented
- @ 2948: a team of experts) not artists? If it were discovered that
- @ 2940: Banksy. Are actors that make art (albeit with a team of
- @ 2918: you are, by definition, an artist. Perhaps you would say that
- @ 2912: have art shows and sell art, you are, by definition, an
- @ 2908: sold art. If you have art shows and sell art, you
- @ 2904: numerous art shows, and sold art. If you have art shows
- @ 2900: He HAS actually had numerous art shows, and sold art. If
- @ 2893: street artists, then became an artist himself. He HAS actually had
- @ 2889: mixed up with some street artists, then became an artist himself.
- @ 2804: all you others looking for artist validation are the same ones
- @ 2796: art on film and the art of it, all you others
- @ 2791: Gift Shop as capturing street art on film and the art
- @ 2718: cat, that he aint an artist, he's got a team... If
- @ 2694: all him... Banksy is an artist, one who manipulates the audience
- @ 2624: but hype. The only true art is Calvin & Hobbes....and jello
- @ 2460: for difficult, challenging or different art, yes? Posted by: justanother filmmaker
- @ 2438: brush – that’s when it starts. The public reaction is what
- @ 2230: takes hold of the child heart. 'What can I get them
- @ 1965: literally elevated pranksterism to high art. MBW, the movie, this interview,
- @ 1902: irony and wit in his art never ceases to amaze me.
- @ 1820: about but see some street art that makes their day a
- @ 1648: that film is the pre-eminent art form of our age. If
- @ 1616: a film about it? B: The art I make is similar to
- @ 1577: in the future - and, particularly for my own curiosity, would
- @ 1428: with EXIT, then the best part of the entire movie is
- @ 1506: pretty sensitive footage of different artists go through our hands. Thankfully
- @ 1407: what supplies meaning and value. Art comes alive in the arguments
- @ 1397: brush – that’s when it starts. The public reaction is what
- @ 1361: of the selling-out of street art. We realized halfway through the
- @ 30: Premiere Section | Main | Part Two: Courier and Libresco Talk
- @ 147: the film's profound take on art and commerce. In the end,
- @ 207: Banksy - the anonymous British artist who gained notoriety and fame
- @ 513: of archival material about street art at his fingertips, why did
- @ 637: graffiti because all the good artists refuse to show their face
- @ 708: of people to create your artwork. What, if anything, was different
- @ 799: all the attention. Most street artists feel the same. This film
- @ 840: Angeles and I've seen MBW's art in my neighborhood and remember
- @ 888: footage that Thierry shot). Yet, particularly when the film was opening
- @ 1028: frontline, this is watching an art form self-combust in front of
- @ 1225: any correlation to your other artistic work? Were you a fan
- @ 1350: an authoritative history of street art. Or even an authoritative history
- en.wikipedia.org/wiki/Natalie_Jeremij...:
- @ 13: Jump to: navigation, search This article has multiple issues. Please help
- @ 81: Jeremijenko (born 1966) is an artist and engineer whose background includes
- @ 102: an active member of the net.art movement, and her work primarily
- @ 128: at NYU in the Visual Art Department, and has affiliated faculty
- @ 129: NYU in the Visual Art Department, and has affiliated faculty appointments
- @ 314: at NYU,[3] assistant professor in Art, and affiliated with the Computer
- @ 321: affiliated with the Computer Science Department. Recently, Jeremijenko’s work was included
- @ 334: 2006 Whitney Biennial of American Art[2] and the Cooper Hewitt Smithsonian
- @ 405: research centers on structures of participation in the production of knowledge
- @ 503: professor at Royal College of Art, in London and an artist
- @ 508: Art, in London and an artist not-in-residence at the Institute for
- @ 530: the faculty in the Visual Arts at UCSD and in Engineering
- @ 815: provide ecological niches suitable for particular populations augmenting ecological networks; exploit
- @ 842: to accumulate the actions of participants into environmental remediation. 2002 [edit]
- @ 912: to accumulate the actions of participants into productive local environmental knowledge
- @ 1018: renders information legible to diverse participants, provides the opportunity for evidence
- @ 1029: driven discussion, and facilitates public participation in environmental monitoring and remediation.
- @ 1039: remediation. [edit] BIT Plane Main article: BIT plane The BIT plane
- @ 1126: unit deep into the glittering heartlands of the Information Age. Most
- @ 1542: ^ http://www.massmoca.org/event_details.php?id=29 ^ a b http://www.whitney.org/www/2006biennial/artists.php?artist=Jeremijenko_Natalie ^ a b http://www.nyu.edu/projects/xdesign/ ^
- @ 1548: ^ a b http://www.nyu.edu/projects/xdesign/ ^ http://www.postmastersart.com/archive/natalie06/natalie06_window3.html ^ a b http://xdesign.ucsd.edu/ooz/ ^
- @ 1604: info from Yale Profile of artist with descriptions of her work
- @ 1621: at the Neuberger Museum of Art Persondata Name Jeremijenko, Natalie Alternative
- @ 1658: 1966 births Hidden categories: BLP articles lacking sources from January 2010
- @ 1665: sources from January 2010 | Articles lacking reliable references from January
- @ 1673: references from January 2010 | Articles that need to be wikified
- @ 1684: from September 2009 | All articles that need to be wikified
- @ 1691: need to be wikified | Articles needing cleanup from May 2008
- @ 1710: in / create account Namespaces Article Discussion Variants Views Read Edit
- @ 1729: Featured content Current events Random article Donate to Wikipedia Interaction Help
- rhizome.org/editorial/3964:
- @ 6082: people communicate.” 23 Among the artists who, like Trecartin, take YouTube
- @ 6060: helped make video, as the artist Tom Sherman wrote, “the vernacular
- @ 6033: art market. His productivity notwithstanding, Trecartin’s work is but a miniscule
- @ 6028: a solid presence on the art market. His productivity notwithstanding, Trecartin’s
- @ 5987: are an expression of what Trecartin calls “transumerism”, the encounter between
- @ 5938: eliciting increasing attention in the art world for the last two
- @ 5929: Ryan Trecartin, a young American artist who has been eliciting increasing
- @ 5925: lastly I create,” declares Ryan Trecartin, a young American artist who
- @ 5912: before branching out into the art world. “I absorb, then I
- @ 5897: resource at our fingertips. Today’s artists often contribute to this, seeking
- @ 5869: greetings cards, little animations and artifacts of all kinds produced from
- @ 5834: for their duration. 22 The artists of this generation are experiencing
- @ 5708: natives,” namely that generation of artists who have never experienced life
- @ 5700: it comes to interpreting the art of “digital natives,” namely that
- @ 5692: present day. This approach is particularly apt when it comes to
- @ 5648: of the information society and art that retreats to positions typical
- @ 5638: makes sense to distinguish between art that acknowledges the advent of
- @ 5620: art which uses computers and art which doesn’t; a world in
- @ 5615: New Media Art does, between art which uses computers and art
- @ 5612: in the term New Media Art does, between art which uses
- @ 5565: formerly known as New Media Art does not lose its specificity,
- @ 5559: the contemporary art world, the art formerly known as New Media
- @ 5556: Clawed back from the contemporary art world, the art formerly known
- @ 5546: would like to see contemporary art restricted.” 20 Digital Natives Clawed
- @ 5461: the pitfalls of New Media Art. His work is devoid of
- @ 5330: one of the points of departure for Waiting For Godot in
- @ 5096: The 7 Lights, which he started working on in 2005, at
- @ 5056: various alternative fonts that the artist is constantly working on. “I
- @ 4978: the web, making a large part of his work available on
- @ 4965: impact of new technologies. The artist has adopted the ethic of
- @ 4928: College in New York. An artist and political activist, since 2000
- @ 4840: uses to express itself, the art that is most aware of
- @ 4795: replaced by a horizontal divider. Art and media can use the
- @ 4756: new, definitive dividing line between art, defined by the indeterminacy and
- @ 4726: barriers that still separate contemporary art from film, architecture and design
- @ 4694: on the contextual definition of art that was the glib pretext
- @ 4682: art. Cultivating “the indeterminacy of art's source code” also means giving
- @ 4677: valuable indication for 21st century art. Cultivating “the indeterminacy of art's
- @ 4649: us to rescue New Media Art from its position on the
- @ 4608: rather for the indeterminacy of art's source code, its dispersion and
- @ 4507: fields from the realm of art [...] Nothing could be more
- @ 4487: in The Radicant (2009): Radicant art implies the end of the
- @ 4471: the media on life and art is however entirely free from
- @ 4423: thus read as a hypertext; artists translate and transcode information from
- @ 4416: communication. And he concludes: “Altermodern art is thus read as a
- @ 4369: and copyleft, to produce works starting from secondary materials, which exist
- @ 4344: the era of post-production the artist appropriates various operative paradigms introduced
- @ 4306: contexts. “The contemporary work of art does not position itself as
- @ 4274: According to Bourriaud, the contemporary artist works like a DJ or
- @ 4265: impact of digital media on artistic means of production. According to
- @ 4244: of the media” and “relational art.” In his subsequent work Postproduction
- @ 4195: Bourriaud’s then condemnation of the art that uses computers (described as
- @ 4181: exponential development of interactive technologies, artists explored “the arcane mysteries of
- @ 4163: revolution are visible today among artists who do not use computers,”12
- @ 4144: of departure for analysing contemporary art. In Relational Aesthetics (1998) he
- @ 4140: one of the points of departure for analysing contemporary art. In
- @ 4112: a useful key to the art of the present. It is
- @ 4066: to describe contemporary cultural and artistic reality, it persists. It persists
- @ 3988: Lastly, different versions of every “artistic object” can exist, including in
- @ 3909: on the classic notion of artistic medium came from the digital
- @ 3900: methods for circulating and distributing art. The third attack on the
- @ 3887: with the normal definition of artistic medium, and above all with
- @ 3862: by the development of new artistic languages (assemblage, happening, installation, etc.);
- @ 3843: completely altered the destiny of art (or rather, aesthetics). According to
- @ 3822: crisis of the concept of artistic medium and medium-specificity (Krauss) with
- @ 3781: and the same dignity as artistic media. The second stage saw
- @ 3704: all aesthetic experience. Hence in art there is no longer anything
- @ 3685: all other media, all contemporary art is postmedia, as he explains:
- @ 3656: Condition,8 postmedia art is the art that comes after the affirmation
- @ 3653: show entitled Postmedia Condition,8 postmedia art is the art that comes
- @ 3625: criticism, while the New Media Art world prefers “post-media,” but with
- @ 3619: is normally used in contemporary art criticism, while the New Media
- @ 3584: Voyage in the North Sea. Art in the Age of the
- @ 3452: a more complex theory, that starts with a reflection on the
- @ 3335: can we underline New Media Art’s “specific form of contemporaneity” (Inke
- @ 3297: outmoded as division into classical art genres (painting, sculpture…). I am
- @ 3251: developments. Much of what today's artists produce with New Media is
- @ 3174: contemporary art arena New Media Art is only allowed to exist
- @ 3170: well accepted. In the contemporary art arena New Media Art is
- @ 3160: new media and old media art, proved to be quite well
- @ 3129: the current techno-social development on art, without introducing any distinction of
- @ 3096: the suitability of basing an artistic category on the use of
- @ 3068: grounded (that is, New Media Art as a category based on
- @ 3060: on which the New Media Art world is grounded (that is,
- @ 3049: art platform the idea of art and the system of values
- @ 3044: to import on the contemporary art platform the idea of art
- @ 3031: Media Art in the contemporary art arena. That analysis shows that
- @ 3027: in 1996, promoted New Media Art in the contemporary art arena.
- @ 2982: the conceptual horizon of contemporary art that all the implications of
- @ 2956: production system of the contemporary art world would have been able
- @ 2918: just another interesting piece of arty science fiction. Now, on the
- @ 2859: characterizes much of New Media Art, raising crucial issues such as
- @ 2665: the exhibition curated by the artistic director of Kapelica Jurij Krpan
- @ 2642: the real drivers behind contemporary art in Slovenia, and have garnered
- @ 2608: developed in the Intermedia sector. Artists and collectives like Marko Peljhan,
- @ 2594: that the most interesting contemporary art in Slovenia is the outcome
- @ 2552: elsewhere. While in the “Contemporary Art” sector the weak market and
- @ 2530: institutions and organizations led by artists to thrive, producing and exhibiting
- @ 2466: have seen, the New Media Art world is complex, and cannot
- @ 2425: an unprejudiced dialogue with contemporary art can stop it from becoming
- @ 2407: cultivates. And, like every other art world, it needs to take
- @ 2378: its labours into the contemporary art world, and not condemn this
- @ 2305: to happen the New Media Art world must stop considering itself
- @ 2293: Art is the childhood of art, or its spring. Obviously, for
- @ 2288: holiday for art, New Media Art is the childhood of art,
- @ 2285: video was a holiday for art, New Media Art is the
- @ 2272: giving their respective “ideas of art” a radical evolution. While for
- @ 2265: energy that powers the other art worlds, giving their respective “ideas
- @ 2254: the bud. The New Media Art world can potentially generate the
- @ 2210: for the other, more solid art worlds, creating the ideal situation
- @ 2197: business incubator, the New Media Art world has to act as
- @ 2148: a niche in the contemporary art world, is not only unjust
- @ 2119: another, between arts and science, arts and technology. This was its
- @ 2116: creative arena and another, between arts and science, arts and technology.
- @ 2104: reinforced. Historically the New Media Art world filled the gaps between
- @ 2077: art, but also the performing arts, music, design and industrial research.
- @ 2072: other worlds: that of contemporary art, but also the performing arts,
- @ 2046: have seen, the New Media Art world came about as a
- @ 2012: to survive, the New Media Art world must first of all
- @ 2004: the root of the contemporary art world. But to survive, the
- @ 1997: evolves the very idea of art at the root of the
- @ 1982: being “at the edge of art” is an irreplaceable source of
- @ 1973: and Jon Ippolito assert, the art that comes into being “at
- @ 1964: growth and evolution of contemporary art. As Joline Blais and Jon
- @ 1937: of the Tissue Culture and Art Project appears to demonstrate that
- @ 1917: event, the Tissue Culture & Art Project cooked up its “victimless”
- @ 1853: in forms familiar to relational art. The project Disembodied Cuisine (2003),
- @ 1841: rite” that Tissue Culture & Art Project has orchestrated on other
- @ 1822: that goes beyond the traditional “art and (bio)technologies” paradigm. Paola Antonelli’s
- @ 1785: itself is inaccessible to the art market, though the highly performative
- @ 1776: the immediate creation of an artifact. The installation in itself is
- @ 1729: firmly within the New Media Art world. Outside of it, it
- @ 1721: by the Tissue Culture & Art Project, remains firmly within the
- @ 1701: more recently at the Mori Art Museum in Tokyo), the exhibition
- @ 1601: beings, the Tissue Culture & Art Project had created a “semi-living”
- @ 1548: offer an alternative to. The artists grafted cells from a living
- @ 1487: as the Tissue Culture & Art Project since 1996 – has
- @ 1478: who, together with two other artists, has been working as the
- @ 1416: Symbiotica has offered residencies to artists from all over the world,
- @ 1388: Oron Catts founded Symbiotica, an art research lab hosted by the
- @ 1382: starting point, in 2000 the artist Oron Catts founded Symbiotica, an
- @ 1377: potential artistic medium. From this starting point, in 2000 the artist
- @ 1373: use it as a potential artistic medium. From this starting point,
- @ 1353: would be a shame if artists did not have the opportunity
- @ 1281: of “amateur biotech” that some artists have worked with, as yet
- @ 1236: can be tackled critically without particular knowledge of the new technologies,
- @ 1230: said that much New Media Art can be tackled critically without
- @ 1201: true that much New Media Art is capable of taking on
- @ 1183: remain inaccessible to the common artist, due to the costs involved
- @ 1169: is now a deeply rooted part of our everyday existence, some
- @ 1129: more slowly, and New Media Art would never have surpassed itself
- @ 1073: never fulfils the idea of art that other arenas have, it
- @ 1041: unsustainable ideas. The New Media Art world gives it a context
- @ 1016: of a chance: the contemporary art world would disparage it as
- @ 1001: the world of New Media Art. Outside of that world, it
- @ 994: TFT Tennis is a typical artefact of the world of New
- @ 978: Industrial prototype or work of art? Toy or generator of meaning?
- @ 831: at Ars Electronica the Dutch artist Dirk Eijsbouts presented the installation
- @ 794: place, not all New Media Art appears ready to take that
- @ 755: not compatible with the contemporary art world. Does this mean that
- @ 734: no longer needs that specific “art world” which formed beginning in
- @ 728: conclusion: that today New Media Art no longer needs that specific
- @ 708: destiny for the New Media Art world? The reasoning developed in
- @ 670: New Media on the contemporary art platform, is there another approach
- @ 661: and inadequate in promoting the art formerly known as New Media
- @ 638: future for the New Media Art world? If the conceptual paradigm
- @ 628: native world to the contemporary art world, is there a future
- @ 613: of the book. If the art formerly known as New Media
- @ 570: In the contemporary art world, art is not appreciated as creative
- @ 568: Duchamp Land. In the contemporary art world, art is not appreciated
- @ 540: made to bring New Media Art back to Duchamp Land failed
- @ 524: of values of the contemporary art world. At the same time,
- @ 515: increasingly sharing the idea of art and the system of values
- @ 506: world became inadequate to an art practice that was increasingly sharing
- @ 500: new developments. The New Media Art world became inadequate to an
- @ 486: exponentially, and the New Media Art world grew accordingly, but without
- @ 479: in a few lines. Technology-based art grew exponentially, and the New
- @ 455: the medium pioneered by the net.art movement turned this linear situation
- @ 448: and the new approach of artists to the medium pioneered by
- @ 419: This is, however, just the start of an in-depth analysis of
- @ 395: use always seriously.” 1 Both art worlds have changed a lot
- @ 376: state-of-the-art computer technology,” and produces artworks that are “simple and usually
- @ 371: world) is oriented “towards new, state-of-the-art computer technology,” and produces artworks
- @ 365: Turing Land (the New Media Art world) is oriented “towards new,
- @ 333: (the contemporary art world) requires art objects that are “oriented towards
- @ 330: Manovich, Duchamp Land (the contemporary art world) requires art objects that
- @ 301: that entertained by the contemporary art world. If you are familiar
- @ 290: and cultivating an idea of “art” that is completely different from
- @ 270: and became a bona fide art world in the Eighties and
- @ 251: of New Media Art. This art world came into being as
- @ 249: the world of New Media Art. This art world came into
- @ 242: and discussed in a specific “art world,” the world of New
- @ 231: usually classed as New Media Art when it is produced, exhibited
- @ 216: the contrary, a work of art – whether based on technology
- @ 193: an art genre or an art movement, and cannot be viewed
- @ 189: Art” does not identify an art genre or an art movement,
- @ 184: that the label “New Media Art” does not identify an art
- @ 173: in recent art history. The starting point of the book is
- @ 170: position and under-recognition in recent art history. The starting point of
- @ 152: the wider field of contemporary arts, and to explore the historical,
- @ 145: positioning of so-called “New Media Art” in the wider field of
- @ 48: ways. Read more about us. ArtBase Commissions Publications Writers Initiative Portfolios
- @ 36: presentation, and preservation of contemporary art that uses new technologies in
- @ 21: a Member Individuals Organizations Support Art Connect About Members Mission Search
- @ 8237: Initiative Rhizome Digest Archives Reblog Articles Archives Previous Posts By Month
- @ 8168: network theory digital corporate electronic art bio Writers Initiative Leave a
- @ 8152: MINI Museum of XXI Century Arts. Translation by Anna Rosemary Carruthers
- @ 8136: and Playlist. Playing Games, Music, Art (2009 - 2010). He is
- @ 8122: various shows, including Holy Fire. Art of the Digital Age (2008,
- @ 8098: His previous publications include Gamescenes. Art in the Age of Videogames
- @ 8089: 5. Domenico Quaranta is an art critic and curator. His previous
- @ 8060: Digital Folklore, Merz and Solitude, Stuttgart 2009. 26. Christiane Paul, “Introduction”,
- @ 7949: is quite distant from digital art of any kind – no
- @ 7941: innovative artistic applications stem from artists whose practice is quite distant
- @ 7937: moment, however, its most innovative artistic applications stem from artists whose
- @ 7836: Postproduction. Culture as Screenplay: How Art Reprograms the World, Lukas &
- @ 7745: Voyage in the North Sea. Art in the Age of the
- @ 7728: era postmedia. Acción comunicativa, prácticas (post)artísticas y dispositivos neomediales, Consorcio Salamanca,
- @ 7678: neutral when used politically, while artists favour a neutral use, not
- @ 7659: “the postmedia condition is the parting shot of the postmodern age,
- @ 7564: the article: Gerfried Stocker, “The Art of Tomorrow”, in a minima,
- @ 7560: 2. I refer to the article: Gerfried Stocker, “The Art of
- @ 7546: Manovich, “The Death of Computer Art”, in Rhizome, October 23, 1996,
- @ 7530: ignorance (technological on one hand, artistic on the other) that it
- @ 7511: art world, and look for art where it is not expected
- @ 7506: inside and outside of the art world, and look for art
- @ 7476: In order to do so, art criticism must cast off its
- @ 7459: terrorism and climate change. The art of our time must be
- @ 7414: formerly known as New Media Art, the real power of which
- @ 7408: made for much of the art formerly known as New Media
- @ 7333: worlds? Or with the amateur art that is displayed in the
- @ 7301: as that of New Media Art certainly does not help us
- @ 7230: of the history of performance art and body interventions; while projects
- @ 7182: throughout the history of contemporary art, from Rrose Sélavy to Matthew
- @ 7117: the brief tradition of the artistic use of virtual worlds. All
- @ 6969: an artist, Gazira also produces art: “performances”, “installations”, “sculptures”, “environments” and
- @ 6965: simulated world. But as an artist, Gazira also produces art: “performances”,
- @ 6948: one level, a work of art in her own right –
- @ 6900: extreme. Gazira Babeli is an artist who has been operating on
- @ 6886: a working knowledge of contemporary art. Let’s take an example that
- @ 6876: all to be conversant with art history, and to have a
- @ 6868: For its part, New Media Art needs above all to be
- @ 6865: be media literate. For its part, New Media Art needs above
- @ 6857: In other words, all contemporary art needs to be media literate.
- @ 6749: is true of all other artistic practices, on two levels. Firstly,
- @ 6730: formation and reception. New media art requires media literacy.” 26 This
- @ 6724: equally important role in this art’s formation and reception. New media
- @ 6708: be understood from a strictly art-historical perspective: the history of technology
- @ 6668: formerly known as New Media Art has a strong need of
- @ 6662: also be noted that the art formerly known as New Media
- @ 6638: New Media Art / contemporary art dichotomy, in a fully postmedia
- @ 6635: operates beyond the New Media Art / contemporary art dichotomy, in
- @ 6629: that a lot of recent art operates beyond the New Media
- @ 6464: three videos in which the artist plays this difficult piece by
- @ 6292: nonetheless strives to be a part of. She incorporates animations, clips
- @ 6210: users, or users of a particular service such as Youtube. Petra
- @ 6153: which is a background to participants’ solo work, encourages them on
- @ 6120: and Supercentral, in which the participants establish a remote dialogue based
- @ 6092: YouTube very seriously, many are part of the so-called “pro surfer”
- @ 6085: Among the artists who, like Trecartin, take YouTube very seriously, many
- vimeo.com/sfci:
- @ 83: ago openFrameworks Developer Series :: Arturo Castro 6 days ago openFrameworks
- @ 120: tagged openFrameworks Developer Series :: Arturo Castro with: Arturo Castro and
- @ 123: Series :: Arturo Castro with: Arturo Castro and openFrameworks 6 days
- planetaryfolklore.com/:
- @ 24: Around the Center, from Luisa Sartori - paintings on wood panels
- @ 43: mandala-like architectural plans: Posted by Martin Isaac at 7:51 AM 0
- @ 66: Google Buzz Labels: 2-Dimensional, Architecture, Art, Geometry Thursday, March 10, 2011
- @ 276: stellarquilts on Etsy Posted by Martin Isaac at 11:42 AM 0
- @ 451: show. Credit: NASA/GSFC/SDO Posted by Martin Isaac at 4:23 AM 0
- @ 506: H. Gottscho, 1931 Posted by Martin Isaac at 1:28 PM 0
- @ 548: 650 miles square... ONECITY The artist Will Insley did; a huge
- @ 626: the Inner City. At the heart of the Inner City is
- @ 647: no one may enter. The artist described his own interests as
- @ 709: never was thus take their artistic power more from suggestion—of possible
- @ 753: CITY - NYTimes.com Posted by Martin Isaac at 5:13 PM 0
- @ 789: out an idea... Posted by Martin Isaac at 4:52 PM 0
- @ 849: Addicted to Consumerism Posted by Martin Isaac at 5:21 AM 0
- @ 905: (45) Animation (43) Architecture (51) Art (87) Covers (20) Freebie (10)
- @ 941: (34) My Work (45) Op Art (12) Pattern (32) Photography (94)
- @ 1134: Design Friendship Hannah Stanton Jody Barton Jordan Harper L u c
- listorious.com/:
- @ 2: activism art business celebrities charity children climate
- guides.macrumors.com/Keyboard_shortcu...:
- @ 1766: Category: Mac OS X Views Article Discussion Edit History Personal tools
- @ 1698: show from first slide control-shift-B start slide show from current slide
- @ 1691: Outline, and notes windows control-shift-S start slide show from first slide
- @ 1212: in the Changing Keyboard Shortcuts article. [edit] Shortcuts on laptops On
- @ 1188: harddrive on boot option choose startup disk at boot time [edit]
- @ 1133: OS 9 and X) N start from Network drive shift boot
- @ 1091: to perform special actions at startup time. C boot from CD
- @ 1100: from CD or DVD T start up in FireWire target mode
- @ 1077: deleted with control-K [edit] System startup Hold down these keys to
- @ 1006: copy text control-A move to start of current paragraph control-B move
- @ 918: paragraph control-left arrow move to start of current line command-left arrow
- @ 725: Screenshots in Mac OS X article includes keyboard shortcuts related to
- @ 182: log out without confirmation command-control-eject restart control-shift-eject sleep displays command-option-control-eject shut
- @ 96: 4 Text Shortcuts 5 System startup 6 Customizing shortcuts 7 Shortcuts
- freesound.org/index.php:
- @ 20: activation email. Main Home Forum Articles Competition Help & FAQ Rules
- @ 93: This is what sets freesound apart from other splendid libraries like
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- @ 352: with a dgx .. by Stuart Hurst FREE AUDIO SAMPLES,PHOTOS by
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- @ 513: song 3.wav : 9.08 (1753) carterattack.mp3 : 9.05 (1188) Metal Atmosphere
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- @ 74: a hip-hop Wikipedia more info... Order Browse Artists Hot Songs RSS feed of
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